
Alysa King
Actor · Milton, Ontario, Canada
Alysa King is a Canadian-born actor, singer, and live performer. During her early childhood years she was featured in several nationwide commercials and magazines, and later returned to the industry once she had completed her post-secondary education. Upon completing high school she trained at Sheridan College and graduated their Theatre Arts program with honours. She then switched gears and continued on to Queen’s University in Kingston, where she received her Bachelor of Arts Honours degree in Dramatic Arts and English Literature & Language, and a Bachelor of Education. While at Queen's, she remained an avid member of the theatrical community and appeared in several Kingston productions, creating new Canadian roles with the Plastic People Theatre Company’s “Punchline” and Facebox Theatre’s “Framed”. She also had the privilege of performing in Canada's first student Shakespearean Repertory Company, Vagabond Theatre, and revamped the classic play "Romeo and Juliet", by playing Romeo as a female lead. Upon graduating, Alysa returned to film and television, and in 2014 she starred in the award-winning genre film "Berkshire County" directed by Audrey Cummings. Praised for her intense and compelling portrayal of Kylie Winters, her performance earned her two "Best Actress" awards from festivals world-wide and the film screened on 5 continents to rave reviews. It has a national theatrical run in Canada at Landmark Cinemas and was in the top 5 earning Canadian films for several weeks during its screening window. Most recently, Alysa was a recurring character on the hit TV series Slasher, a co-production of Shaftesbury Films and Super Channel starring Jurassic World’s Katie McGrath, which aired on NBC Universal's 'Chiller' channel in 2016 to excellent reviews and great ratings. She also plays the lead role in Black Fawn Distribution’s latest film "Bed of the Dead", which swept the 2016 festival circuit and was selected to play at Montreal’s Fantasia Film Festival, the Toronto After Dark Film Festival, and Spain’s famed Sitges Film Festival (the only academy award qualifying genre festival in the world).
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Biography from TMDB.
- Milton, Ontario, Canada
- Actor
- 8 on MovieCove · 12 credits in all
What are Alysa King's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
What they feel like to watch
A split, not a type: Ironic 2 · Wry 0 · Earnest 3
A split, not a type: Light 0 · Serious 3 · Dark 2
A split, not a type: Grounded 3 · Stylized 1 · Heightened 1
Gentle 0 · Charged 1 · Intense 4
A split, not a type: Steady 0 · Shifting 3 · Whiplash 2
A split, not a type: Straight-faced 3 · Some laughs 0 · Funny 2
Slow burn 0 · Even-paced 4 · Relentless 1
Casual 1 · Engaged 4 · Full focus 0
Easy watch 2 · Affecting 3 · Heavy 0
A split, not a type: Resolved 2 · Open-ended 3 · Ambiguous 0
Roles they play
- Allyas Sandy in The Dwelling (2016)
Moods and endings
- Bittersweet2
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alysa King's films?
As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Alysa King's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 8 with a MovieCove page.

Next-Door Nightmare(2021)
Midcredits score: 27th percentile of all films
Beast Within(2019)
Midcredits score: 3rd percentile of all films
Dreams (not in the MovieCove catalog yet)(2019)

Titans(2018)
Midcredits score: 74th percentile of all shows
Prescription for Danger(2018)
Midcredits score: 21st percentile of all films
The Dwelling(2016)
Midcredits score: 10th percentile of all films
Slasher(2016)
Midcredits score: 39th percentile of all shows
American Lawmen (not in the MovieCove catalog yet)(2016)

Lady Psycho Killer(2015)
Midcredits score: 23rd percentile of all films
The Millennials (not in the MovieCove catalog yet)(2015)

Holy Hell(2015)
Midcredits score: 15th percentile of all films
Berkshire County (not in the MovieCove catalog yet)(2014)
Career shape
Star power in the 80th percentile of 239,109 people with a billed film role, over a full career of 11 titles from 2014 to 2021; peak year 2015.

Biggest box office
Holy Hell (2015)

Highest rated
Prescription for Danger (2018)

Most popular right now
Holy Hell (2015)
Film career
Peak 2015 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 2014Screen debut· Berkshire County
- 2014First top-billed film· Berkshire County
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Alysa King's films land?
Their typical MovieCove film has a Midcredits score in the 18th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 18th percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
- Below 25th5
Shape of the crowd
4 of their 8 titles are Mixed.
- Divisive1
- Cult Classic2
- Crowd Pleaser1
- Mixed4
Reviewers score the acting 49/100 in their films, across 5 reviewed titles; fans 71, detractors 33. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alysa King work with?
People who share at least 2 of Alysa King's MovieCove titles; Dennis Andres shares the most, 2.
- Dennis AndresShared titles: The Dwelling (2016), Lady Psycho Killer (2015)See all 2 shared titles with Dennis Andres



