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Jerry Hayes

Jerry Hayes

Actor, director, producer and writer

Jerry Hayes is best known for acting in indie films & was part of a rotating cast of players on the local based anthology indie show "Lee Martins the Midnight Hour". Jerry began acting & studying the art of acting at the age of 12. Making his stage debut, with fellow actor Don Couture. Acting in numerous plays including- "Tell-Tale Heart", "Arsenic & Old Lace" & "Heaven Can Wait". By the age of 15, he made his directorial debut. Both acting & directing in Michael Gazzo's "A Hatful of Rain". After years of studying acting with numerous teachers, reading extensively to explore & apply many tools when needed. Jerry became absorbed in the works of Stanislavsky & his pupils. Also the discoveries of the great American acting teachers. Always keeping his method open to whatever is needed to live truthfully in the imaginary given circumstances. After studying acting with Emmy award -winning director Ann-Marie McHugh, and going to an audition with famed German actor Jürgen Prochnow. Prochnow expressed his belief in Jerry's talent & encouraged him to go to L.A to pursue a career as a film actor. Just prior Hayes met a famous TV/film actor Robert Wagner {Hart to Hart/It takes a Thief}- who had known & worked with one of his favorite actors from the early days of film- Spencer Tracy. After being given heart-felt advice passed down from Spencer Tracy. Jerry then decided it was time to move to L.A to pursue his love for film acting. He began studying at Jeff Goldblum & Robert Carnegies Playhouse West. Carnagie had great belief in Jerrys passion for acting. As he studied with Tony Savant & Holly Gagnier. He soon met TV/film actor- Timothy Gibbs {One Life to Live/Another World}. Both shared a mutual respect for the craft of truthful acting. Hayes then returned home. Then at the urging of Gibbs -Hayes acted & directed his own short films. His passion for film acting was fueled. Soon after Jerry's journey would come to a halt. After years he had discovered a life altering illness of later stage lymes disease. Yet 13 years later he decided to find some joy in local Indies. Hayes was also recovering miraculously from a stroke. Finally, from the urging of an old friend to pace himself, to find some joy & to act in Indies. Then also by his childhood acting friend Couture. Hayes returned where he left off, acting in local Indies. Then was cast in episodes of the local indie show Lee Martin's The Midnight Hour". And became part of the rotating cast of players. Very proud of his collaborations with Lee Martin on the local indie show. Soon was cast as Bronson "the Hitman" in the indie feature "Getting Out. He has done numerous shorts & indie feature. Including playing the Sultan in "Aladdin 3477", Judge Gannon in "Who will Move the Stone", detective Morris in "Into A dark Mind". As well as "Artificial Loyalty", "Moving Parts" & "Taken Over". Along with his respect for the art acting, the audience, his peers and himself. He always gives his best as a focused, skilled, passionate, truthful & realistic actor. Enriching others' lives as well as his own. Jerry is back to the art he loves acting in Indies. Once again creating & sharing. Feeling very centered & expressed finally arriving back home to the art he has loved since childhood.

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Biography from IMDb.

Works as
Actor, director, producer and writer
Titles
4 on MovieCove

What are Jerry Hayes' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
34%
Bonds
26%
Self
18%
Ideas
9%
Survival
8%
Power
6%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 2

Grounded 3 · Stylized 0 · Heightened 0

Gentle 0 · Charged 0 · Intense 3

Steady 0 · Shifting 2 · Whiplash 1

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 0 · Even-paced 2 · Relentless 1

Casual 0 · Engaged 2 · Full focus 1

Resolved 1 · Open-ended 2 · Ambiguous 0

Roles they play

1 analyzed role

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Dread
3
Thrilling
1
Cathartic
1
Cold
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jerry Hayes' films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Jerry Hayes' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Tale of Tails(2021)

    Show as P. Fisk

    Midcredits score: 71st percentile of all shows
  • Abstruse(2019)

    as Detective Morris

    Midcredits score: 46th percentile of all films
  • Moving Parts(2017)

    Director · Producer · Writer

    Midcredits score: 47th percentile of all films
  • Getting Out(2015)

    as Bronson Tope

    Midcredits score: 26th percentile of all films (provisional, few ratings)

Career shape

Across a limited sample of 4 MovieCove titles from 2015 to 2021.

By role

only this rolewith another role
Acting3 of 4: 3 only acting, 0 with another roleDirecting1 of 4: 0 only directing, 1 with another roleWriting1 of 4: 0 only writing, 1 with another roleProducing1 of 4: 0 only producing, 1 with another role

By decade

2010s3 · 2 acting · 1 crew2020s1 · acting

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Jerry Hayes' films land?

Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 6th percentile for acclaim.

Acclaim · how much people like their films

6thpercentile
Typical film, the median of 3

Approval · how many liked their films

87thpercentile
Typical film, the median of 3

Reach · how many have seen their films

41stpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 50th to 74th1
  • 25th to 49th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jerry Hayes work with?

People who share at least 2 of Jerry Hayes' MovieCove titles, grouped by what they did on them; Harley Wallen shares the most, 3.

Directors

Actors

Composers and editors

Producers