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James Everett

Composer · Swansea, Wales, UK

James Everett is a British composer, producer, and writer of scores and music for film and television. Before becoming a film composer, he wrote and produced EDM and commercial club music, and was one half of the Hard Trance act Electroheadz. He notably produced and co-wrote the 2006 Hit Dancing In The Dark performed by Jessy De Smet. He scored his first short Mr Happy in 2013. After a few years of scoring short films and ads, he was commissioned to compose the music of his first feature film in 2016, Bad Day For The Cut directed by Chris Baugh. He has since scored multiple projects including The Dig directed by Ryan and Andy Tohill, the documentary The Dakota Entrapment Tapes directed by Trevor Birney, the BBC drama Counsel, and the film Back Medicine directed by Colum Eastwood. Born in Swansea, Wales, he now lives in Northern Ireland.

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Biography from TMDB.

From
Swansea, Wales, UK
Works as
Composer
Titles
6 on MovieCove · 11 credits in all
TMDB popularity, last 64 days to Oct 27Up 5% in 30 days

What are James Everett's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
45%
Bonds
17%
Survival
14%
Self
11%
Society
9%
Power
4%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 0 · Dark 4

Grounded 4 · Stylized 1 · Heightened 0

Gentle 0 · Charged 2 · Intense 3

Steady 2 · Shifting 3 · Whiplash 0

Straight-faced 4 · Some laughs 1 · Funny 0

Slow burn 1 · Even-paced 4 · Relentless 0

Casual 1 · Engaged 4 · Full focus 0

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 3

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Dread
4
Melancholic
3
Romantic
1
Contemplative
1
Other
2

How their films end · 1 with a twist

  • Happy1
  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch James Everett's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for James Everett's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 6 with a MovieCove page.

  • The Morrigan(2025)

    Composer

    Midcredits score: 6th percentile of all films
  • Egg Timer (not in the MovieCove catalog yet)(2025)

    Sound Designer

  • Magid / Zafar (not in the MovieCove catalog yet)(2025)

    Sound Effects Editor

  • Ellis(2024)

    Show Composer

    Midcredits score: 53rd percentile of all shows
  • The Magic Spade (not in the MovieCove catalog yet)(2023)

    Composer

  • Black Medicine(2021)

    Composer

    Midcredits score: 41st percentile of all films
  • Miss & Missus (not in the MovieCove catalog yet)(2020)

    Composer

  • Counsel(2019)

    Composer

    Midcredits score: 29th percentile of all films (provisional, few ratings)
  • The Dig(2018)

    Composer

    Midcredits score: 62nd percentile of all films
  • Bad Day for the Cut(2017)

    Composer

    Midcredits score: 62nd percentile of all films
  • Unhappy Endings (not in the MovieCove catalog yet)(2016)

    Composer

Career shape

A full career of 8 titles from 2016 to 2026.

By role

only this rolewith another role
Music6 of 8: 6 only music, 0 with another roleOther crew2 of 8: 2 only other crew, 0 with another role

By decade

2010s3 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do James Everett's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 5

Approval · how many liked their films

45thpercentile
Typical film, the median of 5

Reach · how many have seen their films

47thpercentile
Typical film, the median of 5

Midcredits score across 6 titles, by percentile

  • 50th to 74th3
  • 25th to 49th2
  • Below 25th1

Reviewers score the sound and music 45/100 in their films, across 3 reviewed titles; fans 65, detractors 25. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does James Everett work with?

People who share at least 2 of James Everett's MovieCove titles, grouped by what they did on them; Angus Mitchell shares the most, 4.

Directors

Actors

Cinematographers and editors