Phyllis Stein
- Producer
- 3 on MovieCove
What are Phyllis Stein's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Society.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 3 · Stylized 0 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 2 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Phyllis Stein's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Phyllis Stein's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Midcredits score: 68th percentile of all films
Sad Vacation(2016)
Midcredits score: 63rd percentile of all films
Looking for Johnny(2014)
Midcredits score: 77th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2014 to 2022.
How do Phyllis Stein's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
None of their 3 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Phyllis Stein work with?
People who share at least 2 of Phyllis Stein's MovieCove titles, grouped by what they did on them; Danny Garcia shares the most, 3.
Directors
- Danny GarciaShared titles: Nightclubbing: The Birth of Punk Rock in NYC (2022), Sad Vacation (2016), Looking for Johnny (2014)See all 3 shared titles with Danny Garcia
Editors
- Cesar MendezShared titles: Nightclubbing: The Birth of Punk Rock in NYC (2022), Sad Vacation (2016), Looking for Johnny (2014)See all 3 shared titles with Cesar Mendez
- Chip BakerShared titles: Nightclubbing: The Birth of Punk Rock in NYC (2022), Sad Vacation (2016)See all 2 shared titles with Chip Baker
Producers
- Mike SchnappShared titles: Nightclubbing: The Birth of Punk Rock in NYC (2022), Sad Vacation (2016)See all 2 shared titles with Mike Schnapp
- Nick ReynoldsShared titles: Nightclubbing: The Birth of Punk Rock in NYC (2022), Sad Vacation (2016)See all 2 shared titles with Nick Reynolds
- Hilary HodgsonShared titles: Sad Vacation (2016), Looking for Johnny (2014)See all 2 shared titles with Hilary Hodgson
- Vanessa 'Sessa' D'AmelioShared titles: Sad Vacation (2016), Looking for Johnny (2014)See all 2 shared titles with Vanessa 'Sessa' D'Amelio