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Motif
Andrea Boccadoro

Andrea Boccadoro

Composer

Andrea is an award-winning composer for film, theatre and visual media. Since his first narrative score, he has become fascinated by the relationship between music, character and story, and by the creative potential of multimedia collaboration. He is currently working on a variety of productions, including projects supported by Film London/FLAMIN (Ophelia 2.0, dir. Sharon Liu), Arts Council England (Strawberry Vale, dir. Emi Tse), and the feature film Speaking in Tongues directed by Nathan Deming. In 2016 Andrea was awarded a place as a Music Creative in the Hospital Club Emerging Creatives Pro- gramme 2016/2017, starting a 1-year artist residency and mentorship programme in the Club. In 2015 Andrea received the Jerry Goldsmith Award for his orchestral piece 'Song For Adele', and was selected to attend the Reykjavik International Film Festival Talent Lab. In 2013 he was awarded the 2nd prize in the Lviv Music Composition Contest for the choral composition ‘Ave Maria’, which was premiered by the Galician Chamber Choir. Andrea’s work has been screened at the Barbican Centre, the National Art Gallery, the BFI and the V&A Museum, and at festivals such as Clermont-Ferrand, BFI Flare, Aesthetica Short Film Festival and the European Independent Film Festival.

Read more

Biography from TMDB.

Works as
Composer
Titles
8 on Motif · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Down 43% in 30 days

What are Andrea Boccadoro's films like?

Across their 7 Motif titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
25%
Self
24%
Morality
23%
Survival
21%
Society
7%
Grief2 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeMarriage2 titles, browse their movies with this themeDeception2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 1 · Serious 0 · Dark 6

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 4 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 1 · Charged 2 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 4 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 7 · Some laughs 0 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 2 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 5 · Full focus 1

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 0 · Affecting 3 · Heavy 4

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 1 · Open-ended 3 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
6
Dread
4
Contemplative
2
Hopeful
2
Other
3

How their films linger

Thought-provoking4 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteDevastating2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Bittersweet2
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrea Boccadoro's films?

As of October 24, 2026, 7 of their 8 Motif titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for Andrea Boccadoro's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 8 with a Motif page.

  • Concrete Kids (not in the Motif catalog yet)(2026)

    Composer

  • Honey Bunch(2025)

    Composer

    Midcredits score: 42nd percentile of all films

  • Aksil (not in the Motif catalog yet)(2025)

    Composer

  • Fellini (not in the Motif catalog yet)(2024)

    Composer

  • The Woman in the Wardrobe (not in the Motif catalog yet)(2024)

    Composer

  • Home Education(2023)

    Composer

    Midcredits score: 21st percentile of all films

  • After the Fire (not in the Motif catalog yet)(2023)

    Composer

  • The Temptation(2022)

    Composer

    Midcredits score: 24th percentile of all films

  • The Legionnaire(2021)

    Composer

    Midcredits score: 42nd percentile of all films

  • Sergio Marchionne (not in the Motif catalog yet)(2021)

    Compositor

  • 4 AM (not in the Motif catalog yet)(2021)

    Composer

  • Granada Nights(2021)

    Composer

    Midcredits score: 24th percentile of all films

  • The Moon Child (not in the Motif catalog yet)(2021)

    Composer

  • Violation(2020)

    Composer

    Midcredits score: 38th percentile of all films

  • Everything You Didn't Say (not in the Motif catalog yet)(2019)

    Composer

  • Meatoo (not in the Motif catalog yet)(2019)

    Composer · Orchestrator

  • Walls of Limerick (not in the Motif catalog yet)(2019)

    Composer

  • Speaking in Tongues(2018)

    Composer

    Midcredits score: 50th percentile of all films (provisional, few ratings)

  • Woman in Stall (not in the Motif catalog yet)(2018)

    Composer

  • Bunny (not in the Motif catalog yet)(2018)

    Composer

  • Unburied (not in the Motif catalog yet)(2018)

    Composer

  • Tainted Souls(2017)

    Theme Song Performance

    Midcredits score: 45th percentile of all films

  • Home Education (not in the Motif catalog yet)(2016)

    Composer

  • Severed Garden (not in the Motif catalog yet)(2015)

    Composer

  • BITE-BACK (not in the Motif catalog yet)

    Music Consultant

  • Concrete Music (not in the Motif catalog yet)

    Composer

  • Rising (not in the Motif catalog yet)

    Composer

Career shape

A full career of 27 titles, 24 of them dated from 2015 to 2026.

Biggest box office

Home Education (2023)

$469K worldwide

Highest rated

Honey Bunch (2025)

Midcredits 42nd

By role

only this rolewith another role
Music24 of 27: 23 only music, 1 with another role · typical Midcredits score38thOther crew4 of 27: 3 only other crew, 1 with another role

By decade

2010s10 · crew2020s14 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

How do Andrea Boccadoro's films land?

Their typical Motif film has a Midcredits score in the 40th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 34th percentile for acclaim.

Acclaim · how much people like their films

34thpercentile
Typical film, the median of 7

Approval · how many liked their films

36thpercentile
Typical film, the median of 7

Reach · how many have seen their films

52ndpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 50th to 74th1
  • 25th to 49th4
  • Below 25th3

Shape of the crowd

6 of their 8 titles are Mixed.

  • Divisive1
  • Cult Classic1
  • Mixed6

Most divisive · composer

Speaking in Tongues (2018)

93rd percentile spread · 33% rated it 4 or lower

Most loved · composer

Honey Bunch (2025)

Midcredits 42nd · 39% liked

Reviewers score the sound and music 63/100 in their films, across 4 reviewed titles; fans 73, detractors 60. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Andrea Boccadoro work with?

People who share at least 2 of Andrea Boccadoro's Motif titles, grouped by what they did on them; Dusty Mancinelli shares the most, 2.

Directors

Cinematographers

Producers