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Mariano De Rosa

Mariano De Rosa

Cinematographer · Argentina

Mariano de Rosa is a producer, director and cinema editor born in 1970, Argentina.

Biography from TMDB.

From
Argentina
Works as
Cinematographer
Titles
4 on MovieCove · 13 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 29% in 30 days

What are Mariano De Rosa's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
48%
Self
23%
Morality
18%
Society
11%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 2 · Serious 0 · Dark 1

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 0 · Heightened 0

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 1 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 1 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 1 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 1 · Even-paced 2 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 2 · Engaged 1 · Full focus 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 1 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Romantic
1
Tense
1
Warm
1
Bittersweet
1
Hopeful
1
Other
2

How their films linger

Feel-good2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mariano De Rosa's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Mariano De Rosa's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 4 with a MovieCove page.

  • The Astronaut Lovers(2024)

    Cinematographer

    Midcredits score: 89th percentile of all films

  • Bruno & Elena (not in the MovieCove catalog yet)(2024)

    Cinematographer

  • Who Wants to Marry an Astronaut?(2024)

    Cinematographer

    Midcredits score: 27th percentile of all films

  • La casa acecha (not in the MovieCove catalog yet)(2020)

    Writer

  • Young Hunter(2020)

    Cinematographer

    Midcredits score: 40th percentile of all films

  • Una chica invisible (not in the MovieCove catalog yet)(2020)

    Cinematographer

  • The Night of the Chihuaua (not in the MovieCove catalog yet)(2013)

    Actor

  • Aguas verdes(2009)

    Director · Screenplay

    Midcredits score: 31st percentile of all films (provisional, few ratings)

  • Bar "El Chino" (not in the MovieCove catalog yet)(2003)

    Producer

  • Crane World (not in the MovieCove catalog yet)(1999)

    Thanks

  • Bad Times (not in the MovieCove catalog yet)(1998)

    Director · Writer

  • Bar de Mala Muerte (not in the MovieCove catalog yet)(1993)

    Assistant Director · Editor

  • Historias Breves 0: Latidos (not in the MovieCove catalog yet)(1993)

    Boom Operator

Career shape

A full career of 12 titles from 1993 to 2024.

Biggest box office

The Astronaut Lovers (2024)

$23K worldwide

Highest rated

The Astronaut Lovers (2024)

Midcredits 89th

Most popular right now

Young Hunter (2020)

By role

only this rolewith another role
Acting1 of 12: 1 only acting, 0 with another roleDirecting2 of 12: 0 only directing, 2 with another roleWriting3 of 12: 1 only writing, 2 with another roleProducing1 of 12: 1 only producing, 0 with another roleCinematography4 of 12: 4 only cinematography, 0 with another roleEditing1 of 12: 0 only editing, 1 with another roleOther crew3 of 12: 2 only other crew, 1 with another role

12 titles, 3 with more than one role.

By decade

1990s4 · crew2000s1 · crew2010s2 · 1 acting · 1 crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Mariano De Rosa's films land?

Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 39th percentile for acclaim.

Acclaim · how much people like their films

39thpercentile
Typical film, the median of 3

Approval · how many liked their films

41stpercentile
Typical film, the median of 3

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 75th and up1
  • 25th to 49th3

Shape of the crowd

2 of their 4 titles are Mixed.

  • Cult Classic1
  • Crowd Pleaser1
  • Mixed2

Most divisive · director, writer

Aguas verdes (2009)

72nd percentile spread · 24% rated it 4 or lower

Most loved · cinematographer

The Astronaut Lovers (2024)

Midcredits 89th · 75% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mariano De Rosa work with?

People who share at least 2 of Mariano De Rosa's MovieCove titles, grouped by what they did on them; Alberto Masliah shares the most, 3.

Directors

Producers