Nia Imani

What are Nia Imani's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nia Imani's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service, most on Disney+ (2).

• Disney+2 titles, browse their movies on this service
  • Olivia Rodrigo: driving home 2 u (a SOUR film) (2022) · editor
  • Black Is King (2020) · editor
• Hulu1 title, browse their movies on this service
  • The Bear (2022) · editor
• Netflix1 title, browse their movies on this service
  • Homecoming: A Film by Beyoncé (2019) · editor

Subscription and free streaming for Nia Imani's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 5 with a MovieCove page.

• 

  Ugo: A Homecoming Story (not in the MovieCove catalog yet)(2024)

  Editor
• 

  Renaissance: A Film by Beyoncé(2023)

  Editor

  Midcredits score: 98th percentile of all films98^th
• 

  The Bear(2022)

  Show 1 episode · Editor

  Midcredits score: 96th percentile of all shows96^th
• 

  Olivia Rodrigo: driving home 2 u (a SOUR film)(2022)

  Editor

  Midcredits score: 93rd percentile of all films93^rd
• 

  House Comes with a Bird (not in the MovieCove catalog yet)(2022)

  Editor
• 

  Black Is King(2020)

  Editor

  Midcredits score: 81st percentile of all films81^st
• 

  Homecoming: A Film by Beyoncé(2019)

  Editor

  Midcredits score: 94th percentile of all films94^th

Career shape

A full career of 5 titles from 2019 to 2024.

Biggest box office

Renaissance: A Film by Beyoncé (2023)

$44M worldwide

Highest rated

Renaissance: A Film by Beyoncé (2023)

Midcredits 98^th

Most popular right now

Black Is King (2020)

How do Nia Imani's films land?

Their typical MovieCove film has a Midcredits score in the 94^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 97^th percentile for acclaim.

Shape of the crowd

2 of their 5 titles are Mixed.

1112

• Universally Loved1
• Divisive1
• Crowd Pleaser1
• Mixed2

Most divisive · editor

Black Is King (2020)

99^th percentile spread · 32% rated it 4 or lower

Most loved · editor

Renaissance: A Film by Beyoncé (2023)

Midcredits 98^th · 84% liked

Reviewers score the pacing 43/100 in their films, across 4 reviewed titles; fans 55, detractors 19. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Nia Imani's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Nia Imani work with?

People who share at least 2 of Nia Imani's MovieCove titles, grouped by what they did on them; Beyoncé shares the most, 3.