- Editor, also producer
- 11 on MovieCove
What are Ernie Gilbert's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Society.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 2 · Earnest 8
Light 7 · Serious 3 · Dark 1
A split, not a type: Grounded 6 · Stylized 2 · Heightened 3
A split, not a type: Gentle 5 · Charged 3 · Intense 3
Steady 7 · Shifting 3 · Whiplash 1
A split, not a type: Straight-faced 4 · Some laughs 3 · Funny 4
Slow burn 7 · Even-paced 4 · Relentless 0
Casual 6 · Engaged 5 · Full focus 0
Easy watch 6 · Affecting 3 · Heavy 2
Resolved 6 · Open-ended 4 · Ambiguous 1
Moods and endings
- Happy3
- Bittersweet3
- Tragic1
- Ambiguous3
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ernie Gilbert's films?
As of October 24, 2026, 10 of their 11 MovieCove titles stream on a subscription or free service, most on HBO Max (5).
Subscription and free streaming for Ernie Gilbert's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 11 with a MovieCove page.
Opus(2025)
Midcredits score: 26th percentile of all films
Midcredits score: 98th percentile of all films
Somebody I Used to Know(2023)
Midcredits score: 26th percentile of all films
Midcredits score: 3rd percentile of all films
Midcredits score: 68th percentile of all films
Yvonne Orji: A Whole Me(2022)
Midcredits score: 53rd percentile of all films
On the Count of Three(2021)
Midcredits score: 85th percentile of all films
Midcredits score: 38th percentile of all films
Midcredits score: 31st percentile of all films
Sermon on the Mount(2019)
Midcredits score: 71st percentile of all films
Midcredits score: 42nd percentile of all films
Career shape
Across their 11 MovieCove titles from 2018 to 2025.
How do Ernie Gilbert's films land?
Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 44th percentile for acclaim.
- 75th and up2
- 50th to 74th3
- 25th to 49th5
- Below 25th1
Shape of the crowd
6 of their 11 titles are Mixed.
- Cult Classic4
- Crowd Pleaser1
- Mixed6
Reviewers score the pacing 38/100 in their films, across 10 reviewed titles; fans 53, detractors 24. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Ernie Gilbert's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Ernie Gilbert work with?
People who share at least 2 of Ernie Gilbert's MovieCove titles, grouped by what they did on them; Christopher Storer shares the most, 6.
Directors
- Jerrod CarmichaelShared titles: Kate Berlant: Cinnamon in the Wind (2022), On the Count of Three (2021), Lil Rel Howery: Live in Crenshaw (2019), Sermon on the Mount (2019), Drew Michael: Drew Michael (2018)See all 5 shared titles with Jerrod Carmichael
Composers and cinematographers
- Danny BensiShared titles: Opus (2025), Somebody I Used to Know (2023)See all 2 shared titles with Danny Bensi
- Saunder JurriaansShared titles: Opus (2025), Somebody I Used to Know (2023)See all 2 shared titles with Saunder Jurriaans
- Andrew WehdeShared titles: Kate Berlant: Cinnamon in the Wind (2022), Jeff Garlin: Our Man in Chicago (2019)See all 2 shared titles with Andrew Wehde
Producers
- Christopher StorerShared titles: Kate Berlant: Cinnamon in the Wind (2022), On the Count of Three (2021), Jeff Garlin: Our Man in Chicago (2019), Lil Rel Howery: Live in Crenshaw (2019), Sermon on the Mount (2019), Drew Michael: Drew Michael (2018)See all 6 shared titles with Christopher Storer
- Bo BurnhamShared titles: Kate Berlant: Cinnamon in the Wind (2022), Lil Rel Howery: Live in Crenshaw (2019), Sermon on the Mount (2019)See all 3 shared titles with Bo Burnham
- Jeff TomsicShared titles: Kate Berlant: Cinnamon in the Wind (2022), Lil Rel Howery: Live in Crenshaw (2019)See all 2 shared titles with Jeff Tomsic
- Matthew VaughanShared titles: Kate Berlant: Cinnamon in the Wind (2022), Lil Rel Howery: Live in Crenshaw (2019)See all 2 shared titles with Matthew Vaughan
