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What are Mark Brooke's films like?

Across their 30 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 30 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 5 · Dark 19

A split, not a type: Grounded 20 · Stylized 4 · Heightened 6

A split, not a type: Gentle 3 · Charged 10 · Intense 17

Steady 10 · Shifting 17 · Whiplash 3

Straight-faced 21 · Some laughs 6 · Funny 3

Slow burn 12 · Even-paced 14 · Relentless 4

Casual 9 · Engaged 13 · Full focus 8

Easy watch 3 · Affecting 12 · Heavy 15

A split, not a type: Resolved 16 · Open-ended 11 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
24
Melancholic
18
Contemplative
9
Dread
7
Bittersweet
4
Other
22

How their films end · 5 with a twist

  • Happy4
  • Bittersweet15
  • Tragic5
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mark Brooke's films?

As of October 24, 2026, 19 of their 30 MovieCove titles stream on a subscription or free service, most on Tubi (11).

Subscription and free streaming for Mark Brooke's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 30 with a MovieCove page.

  • Tin Soldier(2025)

    Producer

    Midcredits score: 2nd percentile of all films
  • Chef(2014)

    Producer

    Midcredits score: 91st percentile of all films
  • Midcredits score: 56th percentile of all films
  • Shark Night(2011)

    Producer

    Midcredits score: 3rd percentile of all films
  • Blue Valentine(2010)

    Producer

    Midcredits score: 90th percentile of all films
  • Love Ranch(2010)

    Producer

    Midcredits score: 28th percentile of all films
  • Midcredits score: 33rd percentile of all films
  • Midcredits score: 32nd percentile of all films
  • Chéri(2009)

    Producer

    Midcredits score: 47th percentile of all films
  • District 9(2009)

    Producer

    Midcredits score: 97th percentile of all films
  • Dorian Gray(2009)

    Producer

    Midcredits score: 46th percentile of all films
  • Helen(2009)

    Producer

    Midcredits score: 57th percentile of all films
  • I Come with the Rain(2009)

    Producer

    Midcredits score: 35th percentile of all films
  • In the Loop(2009)

    Producer

    Midcredits score: 92nd percentile of all films
  • It's Alive(2009)

    Producer

    Midcredits score: 1st percentile of all films
  • The Other Woman(2009)

    Producer

    Midcredits score: 48th percentile of all films
  • Triage(2009)

    Producer

    Midcredits score: 60th percentile of all films
  • $5 a Day(2008)

    Producer

    Midcredits score: 48th percentile of all films
  • A Summer in Genoa(2008)

    Producer

    Midcredits score: 41st percentile of all films
  • Bronson(2008)

    Producer

    Midcredits score: 82nd percentile of all films
  • Choke(2008)

    Producer

    Midcredits score: 53rd percentile of all films
  • Columbus Day(2008)

    Producer

    Midcredits score: 31st percentile of all films
  • Franklyn(2008)

    Producer

    Midcredits score: 48th percentile of all films
  • Midcredits score: 48th percentile of all films
  • Incendiary(2008)

    Producer

    Midcredits score: 30th percentile of all films
  • Skin(2008)

    Producer

    Midcredits score: 73rd percentile of all films
  • The Children(2008)

    Producer

    Midcredits score: 42nd percentile of all films
  • The Edge of Love(2008)

    Producer

    Midcredits score: 47th percentile of all films
  • The Lucky Ones(2008)

    Producer

    Midcredits score: 70th percentile of all films
  • Midcredits score: 60th percentile of all films

Career shape

Across their 30 MovieCove titles from 2008 to 2025.

By role

only this rolewith another role
Producing30 of 30: 30 only producing, 0 with another role · typical Midcredits score48th

By decade

2000s23 · crew2010s6 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Mark Brooke's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 30; across their 30 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 30

Approval · how many liked their films

49thpercentile
Typical film, the median of 30

Reach · how many have seen their films

88thpercentile
Typical film, the median of 30

Midcredits score across 30 titles, by percentile

  • 75th and up5
  • 50th to 74th7
  • 25th to 49th15
  • Below 25th3

Shape of the crowd

16 of their 30 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned2
  • Cult Classic1
  • Crowd Pleaser16
  • Broadly Agreed3
  • Mixed7

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Mark Brooke's work okay for kids?

Across up to 22 MovieCove titles with content scores, violence & gore, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore11 titles11–90 · median 73 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity22 titles19–76 · median 50 · moderateheavier than most filmsMedian of all films: 32
Profanity11 titles42–92 · median 72 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs10 titles27–64 · median 46 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense11 titles6–84 · median 70 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Mark Brooke work with?

People who share at least 2 of Mark Brooke's MovieCove titles, grouped by what they did on them; Simon Fawcett shares the most, 17.

Actors

Cinematographers

Producers

Mixed roles