Roy McClurg Jr.

Producer

Works as: Producer
Titles: 14 on MovieCove · 17 credits in all
Links: IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 18% in 30 days

What are Roy McClurg Jr.'s films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Genres

Drama8 titles24^th

Documentary2 titles86^th

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight

Survival

45%

Self

14%

Bonds

13%

Ideas

10%

Morality

9%

Society

8%

Survival9 Truth4 Friendship2 Trauma3 Grief2 Violence3 Ambition2 Family bonds2

What they feel like to watch

their average across 14 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 1 · Wry 1 · Earnest 11

Serious

Tone · Weight

lightdark

Light 2 · Serious 6 · Dark 6

Grounded

Tone · Style

naturalisticheightened

Grounded 10 · Stylized 4 · Heightened 0

Charged

Feel · Intensity

gentleintense

Gentle 2 · Charged 8 · Intense 4

Steady

Feel · Swings

steadyswings

A split, not a type: Steady 6 · Shifting 8 · Whiplash 0

Straight-faced

Feel · Humor

noneconstant

Straight-faced 11 · Some laughs 2 · Funny 1

Slow burn

Demand · Pace

slowrelentless

Slow burn 11 · Even-paced 3 · Relentless 0

Engaged

Demand · Attention

casualfull focus

Casual 4 · Engaged 8 · Full focus 1

Affecting

Demand · Emotional cost

easyheavy

Easy watch 5 · Affecting 6 · Heavy 3

Open-ended

Demand · Resolution

resolvedambiguous

A split, not a type: Resolved 8 · Open-ended 2 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense

12

Dread

10

Melancholic

4

Contemplative

3

Absurd

2

Other

4

How their films linger

Unsettling10 Haunting6 Thought-provoking3 Bittersweet2 Wistful2

How their films end · 4 with a twist

Happy1
Bittersweet6
Tragic1
Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Roy McClurg Jr.'s films?

As of October 24, 2026, 8 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Also on these channels

IndiePix Unlimited1 title, show their title on IndiePix Unlimited
Screambox1 title, show their title on Screambox

Subscription and free streaming for Roy McClurg Jr.'s titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 14 with a MovieCove page.

Ever After(2025)
Producer
Midcredits score: 83rd percentile of all films
The Final Frame (not in the MovieCove catalog yet)(2025)
Writer
The Black-Eyed Children (not in the MovieCove catalog yet)(2025)
Story
Aftermath(2024)
Executive Producer
Midcredits score: 57th percentile of all films
Haunting Trophies(2024)
Producer
Midcredits score: 36th percentile of all films
Project Skyquake(2022)
Executive Producer
Midcredits score: 15th percentile of all films
The Poltergeist Diaries(2021)
Producer
Midcredits score: 28th percentile of all films
Spirits in the Dark(2020)
Producer
Midcredits score: 6th percentile of all films
Who You Gonna Call?(2020)
Producer
Midcredits score: 90th percentile of all films
The Shepherd(2019)
Producer
Midcredits score: 30th percentile of all films
The Whispering Man(2019)
Producer
Midcredits score: 2nd percentile of all films
The Basement(2017)
Producer
Midcredits score: 5th percentile of all films
A Guidebook to Killing Your Ex(2016)
Producer
Midcredits score: 19th percentile of all films
Diani & Devine Meet the Apocalypse(2016)
Producer
Midcredits score: 62nd percentile of all films
Moth(2016)
Producer
Midcredits score: 19th percentile of all films
The Death of Superman Lives: What Happened?(2015)
Producer
Midcredits score: 81st percentile of all films
Echoes from the Midnight Mansion (not in the MovieCove catalog yet)
Director · Executive Producer · Writer

Career shape

A full career of 8 titles, 7 of them dated from 2017 to 2026.

Biggest box office

The Shepherd (2019)

$754 worldwide

Highest rated

The Death of Superman Lives: What Happened? (2015)

Midcredits 81^st

By role

only this rolewith another role

Directing1 of 8Writing3 of 8Producing6 of 8 · 30^th

By decade

2010s2 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Roy McClurg Jr.'s films land?

Their typical MovieCove film has a Midcredits score in the 29^th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 13^th percentile for acclaim.

Acclaim · how much people like their films

13^thpercentile

Typical film, the median of 14

Approval · how many liked their films

42^ndpercentile

Typical film, the median of 14

Reach · how many have seen their films

42^ndpercentile

Typical film, the median of 14

Midcredits score across 14 titles, by percentile

75^th and up3
50^th to 74^th2
25^th to 49^th3
Below 25^th6

Shape of the crowd

4 of their 14 titles are Divisive.

Divisive4
Cult Classic3
Crowd Pleaser3
Mixed4

Most divisive · producer

Moth (2016)

94^th percentile spread · 45% rated it 4 or lower

Most loved · producer

Who You Gonna Call? (2020)

Midcredits 90^th · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.