Skip to content
MovieCove

What are Kris Bendrick's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
83%
Self
17%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 2

A split, not a type: Grounded 3 · Stylized 1 · Heightened 0

A split, not a type: Gentle 0 · Charged 3 · Intense 1

Steady 1 · Shifting 2 · Whiplash 1

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 1 · Even-paced 2 · Relentless 1

Casual 1 · Engaged 3 · Full focus 0

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Dread
3
Absurd
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kris Bendrick's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Kris Bendrick's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Wicked of Oz(2026)

    Composer

    Midcredits score: 8th percentile of all films (provisional, few ratings)
  • American Hunt(2019)

    Composer

    Midcredits score: 6th percentile of all films
  • Curse of the Nun(2018)

    Composer

    Midcredits score: 2nd percentile of all films
  • Clowntergeist(2017)

    Composer

    Midcredits score: 1st percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 2017 to 2026.

By role

only this rolewith another role
Music4 of 4: 4 only music, 0 with another role

By decade

2010s3 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Kris Bendrick's films land?

Their typical MovieCove film has a Midcredits score in the 4th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 6th percentile for acclaim.

Acclaim · how much people like their films

6thpercentile
Typical film, the median of 4

Approval · how many liked their films

5thpercentile
Typical film, the median of 4

Reach · how many have seen their films

42ndpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • Below 25th4

Reviewers score the sound and music 38/100 in their films, across 3 reviewed titles; fans 60, detractors 27. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kris Bendrick work with?

People who share at least 2 of Kris Bendrick's MovieCove titles, grouped by what they did on them; Aaron Mirtes shares the most, 4.

Directors

Actors

Cinematographers

Producers