Takeshi Ishigaki

What are Takeshi Ishigaki's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Takeshi Ishigaki's films?

As of October 24, 2026, 9 of their 12 MovieCove titles stream on a subscription or free service, most on Crunchyroll (7).

• Crunchyroll7 titles
  • Girls und Panzer das Finale: Part II (2019) · producer
  • The Misfit of Demon King Academy (2020) · producer
  • Shimoneta: A Boring World Where the Concept of Dirty Jokes Doesn't Exist (2015) · producer
  • Trinity Seven (2014) · producer
  • Hamatora (2014) · producer
  • Hanebado: The Badminton Play of Ayano Hanesaki! (2018) · producer
  • Hundred (2016) · producer
• Hulu1 title, browse their movies on this service
  • The Misfit of Demon King Academy (2020) · producer

Subscription and free streaming for Takeshi Ishigaki's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 12 with a MovieCove page.

• 

  Girls und Panzer das Finale: Part III(2021)

  Producer

  Midcredits score: 93rd percentile of all films93^rd
• 

  Princess Principal Crown Handler: Chapter 1(2021)

  Producer

  Midcredits score: 75th percentile of all films75^th
• 

  The Misfit of Demon King Academy(2020)

  Show 13 episodes · Producer

  Midcredits score: 63rd percentile of all shows63^rd
• 

  Girls und Panzer das Finale: Part II(2019)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  Hanebado: The Badminton Play of Ayano Hanesaki!(2018)

  Show 13 episodes · Executive Producer

  Midcredits score: 23rd percentile of all shows23^rd
• 

  Girls und Panzer das Finale: Part I(2017)

  Producer

  Midcredits score: 87th percentile of all films87^th
• 

  Hundred(2016)

  Show 12 episodes · Producer

  Midcredits score: 20th percentile of all shows20^th
• 

  Girls und Panzer der Film(2015)

  Executive Producer

  Midcredits score: 92nd percentile of all films92^nd
• 

  Shimoneta: A Boring World Where the Concept of Dirty Jokes Doesn't Exist(2015)

  Show 12 episodes · Associate Producer

  Midcredits score: 46th percentile of all shows46^th
• 

  Trinity Seven(2014)

  Show 12 episodes · Producer

  Midcredits score: 39th percentile of all shows39^th
• 

  Hamatora(2014)

  Show 12 episodes · Producer

  Midcredits score: 33rd percentile of all shows33^rd
• 

  Tari Tari (not in the MovieCove catalog yet)(2012)

  Show 13 episodes · Producer
• 

  Koi-ken! Watashitachi Anime ni Nacchatta! (not in the MovieCove catalog yet)(2012)

  Show 12 episodes · Producer
• 

  Girls & Panzer(2012)

  Show Producer

  Midcredits score: 68th percentile of all shows68^th

Career shape

A full career of 11 titles from 2012 to 2020.

Biggest box office

Girls und Panzer der Film (2015)

$19M worldwide

Highest rated

Girls und Panzer das Finale: Part III (2021)

Midcredits 93^rd

Most popular right now

Girls & Panzer (2012)

How do Takeshi Ishigaki's films land?

Their typical MovieCove film has a Midcredits score in the 89^th percentile, the median of all 5; across a limited sample of 3 films with reception data, the typical film sits in the 91^st percentile for acclaim.

Shape of the crowd

7 of their 12 titles are Mixed.

57

• Crowd Pleaser5
• Mixed7

Most divisive · producer

Princess Principal Crown Handler: Chapter 1 (2021)

62^nd percentile spread · 14% rated it 4 or lower

Most loved · producer

Girls und Panzer das Finale: Part III (2021)

Midcredits 93^rd · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Takeshi Ishigaki's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Takeshi Ishigaki work with?

People who share at least 2 of Takeshi Ishigaki's MovieCove titles, grouped by what they did on them; Tsutomu Mizushima shares the most, 3.