Catherine Saindon
Catherine developed a love for acting at 5 years old when she began performing in school plays. At the age of 10, she joined Yellowbug Theatre School, where she studied for 11 years, touring plays around the island of Montreal. In 2016, in her final year of professional theatre school, Catherine landed a lead role in the horror cult classic Game of Death (2017), which had its World Premiere at SXSW. Some of her other works include the feature film Hysteria (2022), Mean Queen (2018) for Lifetime, and the Netflix series, Spinning Out (2020).
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Biography from TMDB.
- Actor
- 6 on MovieCove · 10 credits in all
What are Catherine Saindon's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
Themes
What they feel like to watch
A split, not a type: Ironic 1 · Wry 0 · Earnest 2
Light 0 · Serious 2 · Dark 1
A split, not a type: Grounded 2 · Stylized 1 · Heightened 0
Gentle 0 · Charged 0 · Intense 3
Steady 1 · Shifting 1 · Whiplash 1
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 0 · Even-paced 2 · Relentless 1
Casual 0 · Engaged 2 · Full focus 1
Easy watch 0 · Affecting 3 · Heavy 0
A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 0
Roles they play
- Allyas Mary-Ann in Game of Death (2017)
- Shadowas Tess Donnelly in Kidnapping My Own Daughter (2026)
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Catherine Saindon's films?
As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service.
- discovery+
Subscription and free streaming for Catherine Saindon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 6 with a MovieCove page.
Midcredits score: 71st percentile of all films (provisional, few ratings)
Lucid (not in the MovieCove catalog yet)(2025)
Not So Perfect Stranger(2025)
Midcredits score: 19th percentile of all films
Sour Love (not in the MovieCove catalog yet)(2023)
Börje(2023)
Midcredits score: 63rd percentile of all shows
Hotel for the Holidays(2022)
Midcredits score: 19th percentile of all films
First Bite (not in the MovieCove catalog yet)(2020)
Deadly Secrets(2019)
Midcredits score: 43rd percentile of all shows (provisional, few ratings)
Psycho Prom Queen (not in the MovieCove catalog yet)(2018)
Game of Death(2017)
Midcredits score: 13th percentile of all films
Career shape
Star power in the 58th percentile of 239,109 people with a billed film role, over a full career of 9 titles from 2017 to 2026; peak year 2017.
Film career
Peak 2017 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 2017Screen debut· Game of Death
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Catherine Saindon's films land?
Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 32nd percentile for acclaim.
- 50th to 74th2
- 25th to 49th1
- Below 25th3
Shape of the crowd
4 of their 6 titles are Mixed.
- Crowd Pleaser2
- Mixed4
Reviewers score the acting 41/100 in their films, across 3 reviewed titles; fans 70, detractors 16. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Catherine Saindon work with?
People who share at least 2 of Catherine Saindon's MovieCove titles, grouped by what they did on them; Shawn Riopelle shares the most, 2.
Writers
- Shawn RiopelleShared titles: Kidnapping My Own Daughter (2026), Not So Perfect Stranger (2025)See all 2 shared titles with Shawn Riopelle
Cinematographers
- Michael TienShared titles: Kidnapping My Own Daughter (2026), Not So Perfect Stranger (2025)See all 2 shared titles with Michael Tien
Producers
- Andrew C. ErinShared titles: Kidnapping My Own Daughter (2026), Not So Perfect Stranger (2025)See all 2 shared titles with Andrew C. Erin
- Lex EmanuelShared titles: Kidnapping My Own Daughter (2026), Not So Perfect Stranger (2025)See all 2 shared titles with Lex Emanuel
