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Clémence Carré

Editor and writer

Works as
Editor and writer
Titles
7 on MovieCove

What are Clémence Carré's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 3 · Stylized 2 · Heightened 1

Gentle 1 · Charged 5 · Intense 0

Steady 2 · Shifting 2 · Whiplash 2

Straight-faced 2 · Some laughs 3 · Funny 1

Slow burn 3 · Even-paced 3 · Relentless 0

Casual 3 · Engaged 3 · Full focus 0

Resolved 3 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
4
Melancholic
3
Joyful
3
Absurd
1
Hopeful
1
Other
4

How their films end · 1 with a twist

  • Happy1
  • Bittersweet5
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Clémence Carré's films?

As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Clémence Carré's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

  • Midcredits score: 49th percentile of all films
  • Bis Repetita(2024)

    Editor

    Midcredits score: 29th percentile of all films
  • Zorro(2024)

    Show Editor

    Midcredits score: 9th percentile of all shows
  • Mother and Son(2022)

    Editor

    Midcredits score: 65th percentile of all films
  • Skies of Lebanon(2020)

    Editor

    Midcredits score: 74th percentile of all films
  • Midcredits score: 27th percentile of all films
  • Jeune Femme(2017)

    Editor · Writer

    Midcredits score: 62nd percentile of all films

Career shape

Across their 7 MovieCove titles from 2017 to 2026.

By role

only this rolewith another role
Writing1 of 7: 0 only writing, 1 with another roleEditing7 of 7: 6 only editing, 1 with another role · typical Midcredits score49th

By decade

2010s2 · crew2020s5 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Clémence Carré's films land?

Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 6

Approval · how many liked their films

51stpercentile
Typical film, the median of 6

Reach · how many have seen their films

80thpercentile
Typical film, the median of 6

Midcredits score across 7 titles, by percentile

  • 50th to 74th3
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

None of their 7 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3
  • Broadly Agreed2
  • Mixed2

Reviewers score the pacing 53/100 in their films, across 3 reviewed titles; fans 60, detractors 25. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Clémence Carré work with?

People who share at least 2 of Clémence Carré's MovieCove titles, grouped by what they did on them; Émilie Noblet shares the most, 4.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles