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What are Alfredo de Juan's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 2

Grounded 4 · Stylized 0 · Heightened 0

Gentle 0 · Charged 4 · Intense 0

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 0 · Engaged 2 · Full focus 2

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2

Resolved 0 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Contemplative
4
Melancholic
2
Triumphant
1
Hopeful
1

How their films end · 1 with a twist

  • Happy1
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alfredo de Juan's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Alfredo de Juan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 6 with a MovieCove page.

  • The Balloonists (not in the MovieCove catalog yet)(2026)

    Additional Camera

  • Messi's World Cup: The Rise of a Legend(2024)

    Show 4 episodes · Cinematographer

    Midcredits score: 88th percentile of all shows
  • The Last Dolphin King(2022)

    Cinematographer

    Midcredits score: 39th percentile of all films
  • Edge of the Unknown with Jimmy Chin(2022)

    Show Cinematographer

    Midcredits score: 79th percentile of all shows
  • The Cancer Conflict(2021)

    Cinematographer

    Midcredits score: 93rd percentile of all films (provisional, few ratings)
  • Hide and Seek (not in the MovieCove catalog yet)(2021)

    Cinematographer

  • Baghdad in My Shadow (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • The Spy Who Fell to Earth(2019)

    Cinematographer

    Midcredits score: 67th percentile of all films
  • The Outsider(2018)

    Cinematographer

    Midcredits score: 68th percentile of all films (provisional, few ratings)
  • My Deadly Beautiful City (not in the MovieCove catalog yet)(2016)

    Cinematographer

Career shape

A full career of 9 titles from 2016 to 2026.

By role

only this rolewith another role
Cinematography8 of 9: 8 only cinematography, 0 with another role · typical Midcredits score68thOther crew1 of 9: 1 only other crew, 0 with another role

By decade

2010s4 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alfredo de Juan's films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 4

Approval · how many liked their films

64thpercentile
Typical film, the median of 4

Reach · how many have seen their films

32ndpercentile
Typical film, the median of 4

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alfredo de Juan work with?

People who share at least 2 of Alfredo de Juan's MovieCove titles, grouped by what they did on them; Thomas Meadmore shares the most, 3.

Directors

Producers