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Elliott Whitton

Elliott Whitton

Producer

Independent Spirit Award nominee

Elliott Whitton is an Australian film producer. He holds a Bachelor of Business and a Bachelor of Creative Industries from the Queensland University of Technology and is an AWARD school graduate. He worked in advertising for a range of brands and got his start in film at American independent production companies including Big Beach and Likely Story. He moved to New York in 2011 and joined Cinereach in 2012. As Head of Development, he managed Cinereach’s slate of films in development, working to develop content for the organisation to support, finance and produce. He is the Senior Vice President of Fit Via Vi, a financing and production compan founded by Bill and Mary Way.

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Biography from TMDB.

Works as
Producer
Titles
12 on MovieCove · 19 credits in all
TMDB popularity, last 156 days to Oct 27Up 20% in 30 days

What are Elliott Whitton's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 1 · Dark 5

Grounded 8 · Stylized 4 · Heightened 0

Gentle 2 · Charged 6 · Intense 4

Steady 8 · Shifting 4 · Whiplash 0

Straight-faced 11 · Some laughs 1 · Funny 0

Slow burn 10 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 7 · Full focus 2

A split, not a type: Easy watch 3 · Affecting 4 · Heavy 5

A split, not a type: Resolved 5 · Open-ended 4 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
8
Tense
5
Hopeful
7
Melancholic
4
Warm
3
Other
6

How their films end · 1 with a twist

  • Happy1
  • Bittersweet7
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Elliott Whitton's films?

As of October 24, 2026, 11 of their 12 MovieCove titles stream on a subscription or free service, most on Hulu (3).

Subscription and free streaming for Elliott Whitton's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 12 with a MovieCove page.

  • Midcredits score: 66th percentile of all films (provisional, few ratings)
  • Rebuilding(2025)

    Executive Producer

    Midcredits score: 76th percentile of all films
  • Arco(2025)

    Executive Producer

    Midcredits score: 91st percentile of all films
  • Match in a Haystack(2025)

    Producer

  • Jazzy(2024)

    Producer

    Midcredits score: 51st percentile of all films
  • Goodnight (not in the MovieCove catalog yet)(2025)

    Executive Producer

  • Oh, Canada(2024)

    Co-Executive Producer

    Midcredits score: 28th percentile of all films
  • The Taste of Mango (not in the MovieCove catalog yet)(2024)

    Producer

  • We Were Dangerous (not in the MovieCove catalog yet)(2024)

    Executive Producer

  • Sugarcane(2024)

    Executive Producer

    Midcredits score: 83rd percentile of all films
  • Tuesday(2023)

    Executive Producer

    Midcredits score: 60th percentile of all films
  • Frybread Face and Me(2023)

    Executive Producer

    Midcredits score: 86th percentile of all films
  • Reality(2023)

    Executive Producer

    Midcredits score: 70th percentile of all films
  • Art for Everybody (not in the MovieCove catalog yet)(2023)

    Executive Producer

  • The Ladies (not in the MovieCove catalog yet)(2022)

    Executive Producer

  • Midcredits score: 87th percentile of all films
  • Mogul Mowgli(2020)

    Executive Producer

    Midcredits score: 64th percentile of all films
  • Hold On to Your Angels (not in the MovieCove catalog yet)

    Executive Producer

  • Morning (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 17 titles, 15 of them dated from 2020 to 2025.

By role

only this rolewith another role
Producing17 of 17: 17 only producing, 0 with another role · typical Midcredits score70th

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for an Independent Spirit Award in 2025.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Elliott Whitton's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of the 11 of 12 with a score; across their 12 films with reception data, the typical film sits in the 76th percentile for acclaim.

Acclaim · how much people like their films

76thpercentile
Typical film, the median of 12

Approval · how many liked their films

65thpercentile
Typical film, the median of 12

Reach · how many have seen their films

75thpercentile
Typical film, the median of 12

Midcredits score across 11 titles, by percentile

  • 75th and up5
  • 50th to 74th5
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Elliott Whitton's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore4 titlesmedian 27 · mildMedian of all films: 44
Sex & Nudity4 titlesmedian 22 · mildMedian of all films: 32
Alcohol & Drugs3 titlesmedian 14 · minimalMedian of all films: 33
Frightening / Intense3 titlesmedian 35 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Elliott Whitton work with?

People who share at least 2 of Elliott Whitton's MovieCove titles, grouped by what they did on them; Bill Way shares the most, 9.

Producers