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Giancarlo Nasi

Giancarlo Nasi

Producer · Born July 25, 1986 (40) · Santiago, Chile

Renowned Producer Giancarlo Nasi is a visionary filmmaker and founder of the Chilean Film Academy, recognized for his innovative contributions to global cinema. His work has garnered acclaim at the most prestigious international festivals, including Cannes, Venice, Berlin, and Sundance, with films that consistently push creative and cultural boundaries. Nasi produced The Settlers (Los Colonos), Chile's official selection for the 2024 Academy Awards, a critically acclaimed historical epic that premiered at Cannes. His production credits also include White on White, winner of the Best Director Award at the Venice Film Festival's Horizons section; Zafari and Horizonte among others. His expertise spans genres and formats, with highlights like The Exiles, a Chile-Spain co-production. With over a decade of experience, Nasi has successfully collaborated with filmmakers from more than 17 countries, including Taiwan, Ukraine, Mexico, and France. His productions are celebrated for their artistic ambition and commercial viability, supported by his deep understanding of intellectual property law, financing structures, and international markets. In addition to his prolific production career, Nasi is a member of the Academy of Motion Picture Arts and Sciences and a respected mentor and lecturer, sharing his expertise through programs like the Sundance Institute and BR Lab in Brazil. He has been a driving force in Chilean and international cinema, not only through his films but also as an advocate for emerging talent and cross-border collaboration. Before founding Quijote Films, Nasi honed his skills across three continents. He produced television content at WPP Media Vietnam, studied film production at the University of São Paulo, and earned advanced degrees in Political Science and Economic Law from Sciences Po Paris. Most recently, he completed an MBA at UCLA's Anderson School of Business, equipping him with a unique blend of creative and strategic acumen. Nasi's leadership extends beyond the screen, having spearheaded the establishment of the Chilean Film Academy and strengthened the country's presence on the global stage. His enduring passion for storytelling and dedication to fostering innovation make him a transformative figure in contemporary cinema.

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Biography from IMDb.

Born
July 25, 1986 (40)
From
Santiago, Chile
Works as
Producer
Titles
13 on MovieCove

What are Giancarlo Nasi's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 4 · Dark 9

A split, not a type: Grounded 5 · Stylized 4 · Heightened 4

A split, not a type: Gentle 2 · Charged 4 · Intense 7

Steady 10 · Shifting 3 · Whiplash 0

Straight-faced 10 · Some laughs 3 · Funny 0

Slow burn 10 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 8 · Full focus 4

Easy watch 0 · Affecting 3 · Heavy 10

Resolved 4 · Open-ended 6 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Melancholic
7
Dread
5
Contemplative
6
Bittersweet
2
Other
6

How their films end · 3 with a twist

  • Bittersweet7
  • Tragic3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Giancarlo Nasi's films?

As of October 24, 2026, 10 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Giancarlo Nasi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

  • The Blue Trail(2025)

    Producer

    Midcredits score: 86th percentile of all films
  • Midcredits score: 82nd percentile of all films
  • The Practice(2023)

    Producer

    Midcredits score: 48th percentile of all films
  • The Settlers(2023)

    Producer

    Midcredits score: 80th percentile of all films
  • Blanquita(2022)

    Producer

    Midcredits score: 54th percentile of all films
  • Pamfir(2022)

    Producer

    Midcredits score: 92nd percentile of all films
  • Midcredits score: 57th percentile of all films
  • Lina from Lima(2019)

    Producer

    Midcredits score: 46th percentile of all films
  • White on White(2019)

    Producer

    Midcredits score: 51st percentile of all films
  • Marilyn(2018)

    Producer

    Midcredits score: 55th percentile of all films
  • Oblivion Verses(2017)

    Producer

    Midcredits score: 66th percentile of all films
  • Tierra Yerma(2016)

    Producer

    Midcredits score: 68th percentile of all films (provisional, few ratings)
  • Land and Shade(2015)

    Producer

    Midcredits score: 85th percentile of all films

Career shape

Across their 13 MovieCove titles from 2015 to 2025.

By role

only this rolewith another role
Producing13 of 13: 13 only producing, 0 with another role · typical Midcredits score66th

By decade

2010s6 · crew2020s7 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Giancarlo Nasi's films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 13

Approval · how many liked their films

56thpercentile
Typical film, the median of 13

Reach · how many have seen their films

56thpercentile
Typical film, the median of 13

Midcredits score across 13 titles, by percentile

  • 75th and up5
  • 50th to 74th6
  • 25th to 49th2

Shape of the crowd

6 of their 13 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser6
  • Broadly Agreed2
  • Mixed4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Giancarlo Nasi work with?

People who share at least 2 of Giancarlo Nasi's MovieCove titles, grouped by what they did on them; Constanza Erenchún shares the most, 6.

Actors

Cinematographers

Producers

Mixed roles