
Ken Beale
- Producer
- 5 on MovieCove
What are Ken Beale's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Society.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 2 · Serious 1 · Dark 2
Grounded 4 · Stylized 1 · Heightened 0
Gentle 2 · Charged 2 · Intense 1
Steady 4 · Shifting 0 · Whiplash 1
Straight-faced 3 · Some laughs 2 · Funny 0
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 4 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 2 · Heavy 1
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ken Beale's films?
As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Ken Beale's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.

The Lightning Code(2025)
Midcredits score: 23rd percentile of all films
The Shift(2023)
Midcredits score: 50th percentile of all films
Midcredits score: 45th percentile of all films
A Welcome Home Christmas(2020)
Midcredits score: 67th percentile of all films
The World We Make(2019)
Midcredits score: 38th percentile of all films
Career shape
Across their 5 MovieCove titles from 2019 to 2025.
How do Ken Beale's films land?
Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 50th to 74th2
- 25th to 49th2
- Below 25th1
Shape of the crowd
3 of their 5 titles are Cult Classics.
- Cult Classic3
- Crowd Pleaser1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ken Beale work with?
People who share at least 2 of Ken Beale's MovieCove titles, grouped by what they did on them; Ken Carpenter shares the most, 5.
Writers
- Rose ReidShared titles: The Lightning Code (2025), The Shift (2023), A Welcome Home Christmas (2020), The World We Make (2019)See all 4 shared titles with Rose Reid

Actors
- Emily RoseShared titles: The Shift (2023), Don't Sweat the Small Stuff: The Kristine Carlson Story (2021)See all 2 shared titles with Emily Rose

Editors
- Chris WittShared titles: The Shift (2023), A Welcome Home Christmas (2020), The World We Make (2019)See all 3 shared titles with Chris Witt

Producers
- Ken CarpenterShared titles: The Lightning Code (2025), The Shift (2023), Don't Sweat the Small Stuff: The Kristine Carlson Story (2021), A Welcome Home Christmas (2020), The World We Make (2019)See all 5 shared titles with Ken Carpenter

- Julian ReidShared titles: The Lightning Code (2025), The World We Make (2019)See all 2 shared titles with Julian Reid
