Skip to content
MovieCove
Je-Yeong Kim

Je-Yeong Kim

Writer and director

Works as
Writer and director
Titles
7 on MovieCove · 10 credits in all
TMDB popularity, last 38 days to Oct 27Down 3% in 30 days

What are Je-Yeong Kim's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 0 · Dark 0

Grounded 2 · Stylized 2 · Heightened 0

Gentle 1 · Charged 3 · Intense 0

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 0 · Some laughs 3 · Funny 1

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Warm
2
Romantic
2
Hopeful
2
Joyful
2
Bittersweet
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Je-Yeong Kim's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service, most on Prime Video (3).

Subscription and free streaming for Je-Yeong Kim's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 7 with a MovieCove page.

  • Wonderful Nightmare(2026)

    Original Film Writer

    Midcredits score: 74th percentile of all films
  • The Kidnapping Day(2023)

    Show 12 episodes · Creator · Screenplay

    Midcredits score: 94th percentile of all shows
  • Genesis (not in the MovieCove catalog yet)(2021)

    Show 6 episodes · Writer

  • Cheese in the Trap(2018)

    Director · Screenplay

    Midcredits score: 40th percentile of all films
  • Beautiful Accident(2017)

    Writer

    Midcredits score: 71st percentile of all films
  • I Married an Anti-Fan (not in the MovieCove catalog yet)(2016)

    Director · Writer

  • Insane(2016)

    Adaptation

    Midcredits score: 49th percentile of all films
  • Wonderful Nightmare(2015)

    Screenplay

    Midcredits score: 86th percentile of all films
  • Queen of the Night (not in the MovieCove catalog yet)(2013)

    Director · Writer

  • Wonderful Radio(2012)

    Writer

    Midcredits score: 48th percentile of all films

Career shape

A full career of 9 titles from 2012 to 2026.

By role

only this rolewith another role
Directing3 of 9: 0 only directing, 3 with another roleWriting9 of 9: 5 only writing, 4 with another role · typical Midcredits score62ndOther crew1 of 9: 0 only other crew, 1 with another role

9 titles, 4 with more than one role — writing and directing overlap on 3 of them.

By decade

2010s6 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Je-Yeong Kim's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 4

Approval · how many liked their films

57thpercentile
Typical film, the median of 4

Reach · how many have seen their films

54thpercentile
Typical film, the median of 4

Midcredits score across 7 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th3

Reviewers score the plot and story 36/100 in their films, across 4 reviewed titles; fans 52, detractors 22. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Je-Yeong Kim work with?

People who share at least 2 of Je-Yeong Kim's MovieCove titles; Harry Segall shares the most, 2.