Álvaro Ariza

What are Álvaro Ariza's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Álvaro Ariza's films?

As of October 24, 2026, 3 of their 12 MovieCove titles stream on a subscription or free service, most on Netflix (2).

• Netflix2 titles, browse their movies on this service
  • The Night My Dad Saved Christmas 2 (2025) · producer
  • ¡Ay, mi madre! (2019) · producer
• Prime Video1 title, browse their movies on this service
  • With the Years That I Have Left (2022) · producer

Subscription and free streaming for Álvaro Ariza's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

• 

  Haciendo amigos(2026)

  Producer

  Midcredits score: 46th percentile of all films46^th
• 

  La familia Benetón +2(2026)

  Producer

  Midcredits score: 11th percentile of all films11^th
• 

  Barren Land(2025)

  Producer

  Midcredits score: 47th percentile of all films47^th
• 

  The Gentleman(2025)

  Producer

  Midcredits score: 15th percentile of all films15^th
• 

  The Night My Dad Saved Christmas 2(2025)

  Producer

  Midcredits score: 13th percentile of all films13^th
• 

  Un funeral de locos(2025)

  Producer

  Midcredits score: 17th percentile of all films17^th
• 

  Undercover(2024)

  Producer

  Midcredits score: 90th percentile of all films90^th
• 

  The Boogeyman: The Origin of the Myth(2023)

  Producer

  Midcredits score: 9th percentile of all films9^th
• 

  Can't Live Without You(2022)

  Producer

  Midcredits score: 17th percentile of all films17^th
• 

  With the Years That I Have Left(2022)

  Producer

  Midcredits score: 15th percentile of all films15^th
• 

  The House of Snails(2021)

  Producer

  Midcredits score: 23rd percentile of all films23^rd
• 

  ¡Ay, mi madre!(2019)

  Producer

  Midcredits score: 5th percentile of all films5^th

Career shape

Across their 12 MovieCove titles from 2019 to 2026.

Biggest box office

Undercover (2024)

$11M worldwide

Highest rated

Undercover (2024)

Midcredits 90^th

Most popular right now

Haciendo amigos (2026)

How do Álvaro Ariza's films land?

Their typical MovieCove film has a Midcredits score in the 16^th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 27^th percentile for acclaim.

Shape of the crowd

8 of their 12 titles are Mixed.

28

• Universally Panned1
• Crowd Pleaser1
• Broadly Agreed2
• Mixed8

Most divisive · producer

With the Years That I Have Left (2022)

81^st percentile spread · 47% rated it 4 or lower

Most loved · producer

Undercover (2024)

Midcredits 90^th · 80% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Álvaro Ariza work with?

People who share at least 2 of Álvaro Ariza's MovieCove titles, grouped by what they did on them; María Luisa Gutiérrez shares the most, 8.