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Gabrielle Fleck

Producer and actor

Works as
Producer and actor
Titles
4 on MovieCove

What are Gabrielle Fleck's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Society.

Themes

share of theme weight
Self
43%
Society
25%
Morality
16%
Survival
16%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 4 · Stylized 0 · Heightened 0

Gentle 1 · Charged 3 · Intense 0

Steady 4 · Shifting 0 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 3 · Full focus 0

Resolved 2 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Hopeful
2
Dread
2
Warm
2
Contemplative
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gabrielle Fleck's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Gabrielle Fleck's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Sem Fôlego(2022)

    Producer · as Sophia Tucker

    Midcredits score: 50th percentile of all films (provisional, few ratings)
  • Fatima(2020)

    Producer

    Midcredits score: 72nd percentile of all films
  • The Chaperone(2018)

    Producer

    Midcredits score: 60th percentile of all films
  • 13 Souls

    Producer

    Midcredits score: 1st percentile of all films (provisional, few ratings)

Career shape

Across a limited sample of 4 MovieCove titles, 3 of them dated from 2018 to 2022.

By role

only this rolewith another role
Acting1 of 4: 0 only acting, 1 with another roleProducing4 of 4: 3 only producing, 1 with another role

By decade

2010s1 · crew2020s2 · 1 acting · 2 crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Gabrielle Fleck's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 4

Approval · how many liked their films

52ndpercentile
Typical film, the median of 4

Reach · how many have seen their films

54thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 50th to 74th3
  • Below 25th1

Shape of the crowd

1 of their 4 titles is Universally Panned.

  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser1
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gabrielle Fleck work with?

People who share at least 2 of Gabrielle Fleck's MovieCove titles, grouped by what they did on them; Rose Ganguzza shares the most, 3.

Directors

Cinematographers and editors

Producers