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MovieCove
John Williams

John Williams

Producer

Works as
Producer
Titles
11 on MovieCove
TMDB popularity, last 155 days to Oct 26Down 18% in 30 days

What are John Williams' films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Society.

Themes

share of theme weight
Self
42%
Society
32%
Bonds
19%
Survival
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 2 · Stylized 1 · Heightened 0

Gentle 0 · Charged 2 · Intense 1

A split, not a type: Steady 2 · Shifting 0 · Whiplash 1

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 1 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
2
Dread
2
Hopeful
1
Tense
1
Triumphant
1
Other
3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Williams' films?

As of October 24, 2026, 10 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for John Williams' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 11 with a MovieCove page.

  • Dandelion(2024)

    Casting

    Midcredits score: 27th percentile of all films
  • The Long Game(2023)

    Producer

    Midcredits score: 72nd percentile of all films
  • First Love(2022)

    Producer

    Midcredits score: 11th percentile of all films
  • Halloween Kills(2021)

    Locale Casting Director

    Midcredits score: 30th percentile of all films
  • Summertime(2020)

    Casting

    Midcredits score: 62nd percentile of all films
  • Halloween(2018)

    Local Casting

    Midcredits score: 66th percentile of all films
  • Age Out(2018)

    Casting

    Midcredits score: 47th percentile of all films
  • Urge(2016)

    Producer

    Midcredits score: 17th percentile of all films
  • Our Brand Is Crisis(2015)

    Casting

    Midcredits score: 43rd percentile of all films
  • Manglehorn(2014)

    Casting

    Midcredits score: 26th percentile of all films
  • Joe(2013)

    Casting

    Midcredits score: 76th percentile of all films

Career shape

A full career of 8 titles from 2014 to 2024.

By role

only this rolewith another role
Other crew8 of 8: 8 only other crew, 0 with another role · typical Midcredits score45th

By decade

2010s5 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do John Williams' films land?

Their typical MovieCove film has a Midcredits score in the 43rd percentile, the median of all 11; across a limited sample of 3 films with reception data, the typical film sits in the 12th percentile for acclaim.

Acclaim · how much people like their films

12thpercentile
Typical film, the median of 3

Approval · how many liked their films

30thpercentile
Typical film, the median of 3

Reach · how many have seen their films

84thpercentile
Typical film, the median of 3

Midcredits score across 11 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • 25th to 49th5
  • Below 25th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.