Kristian Mercado

What are Kristian Mercado's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kristian Mercado's films?

As of October 24, 2026, 9 of their 10 MovieCove titles stream on a subscription or free service, most on Netflix (6).

• Netflix6 titles, browse their movies on this service
  • Taylor Tomlinson: Look at You (2022) · director
  • Taylor Tomlinson: Have It All (2024) · director
  • Fortune Feimster: Crushing It (2024) · director, producer
  • Sam Jay: 3 in the Morning (2020) · director
  • Michael Che: Shame the Devil (2021) · director
  • London Hughes: To Catch a Dick (2020) · director
• HBO Max2 titles, browse their movies on this service
  • Aida Rodriguez: Fighting Words (2021) · director
  • Phoebe Robinson: Sorry, Harriet Tubman (2021) · director
• Peacock1 title, browse their movies on this service
  • If You Were the Last (2023) · director

Subscription and free streaming for Kristian Mercado's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

• 

  Fortune Feimster: Crushing It(2024)

  Director · Producer

  Midcredits score: 78th percentile of all films78^th
• 

  Taylor Tomlinson: Have It All(2024)

  Director

  Midcredits score: 88th percentile of all films88^th
• 

  If You Were the Last(2023)

  Director

  Midcredits score: 65th percentile of all films65^th
• 

  Taylor Tomlinson: Look at You(2022)

  Director

  Midcredits score: 93rd percentile of all films93^rd
• 

  Aida Rodriguez: Fighting Words(2021)

  Director

  Midcredits score: 40th percentile of all films40^th
• 

  Ilana Glazer Presents Comedy on Earth: NYC 2020-2021(2021)

  Director

  Midcredits score: 12th percentile of all films (provisional, few ratings)~12^th
• 

  Michael Che: Shame the Devil(2021)

  Director

  Midcredits score: 62nd percentile of all films62^nd
• 

  Phoebe Robinson: Sorry, Harriet Tubman(2021)

  Director

  Midcredits score: 17th percentile of all films17^th
• 

  London Hughes: To Catch a Dick(2020)

  Director

  Midcredits score: 19th percentile of all films19^th
• 

  Sam Jay: 3 in the Morning(2020)

  Director

  Midcredits score: 63rd percentile of all films63^rd

Career shape

Across their 10 MovieCove titles from 2020 to 2024.

Biggest box office

If You Were the Last (2023)

$27K worldwide

Highest rated

Taylor Tomlinson: Look at You (2022)

Midcredits 93^rd

Most popular right now

If You Were the Last (2023)

How do Kristian Mercado's films land?

Their typical MovieCove film has a Midcredits score in the 63^rd percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 65^th percentile for acclaim.

Shape of the crowd

6 of their 10 titles are Mixed.

36

• Divisive1
• Crowd Pleaser3
• Mixed6

Most divisive · director

Ilana Glazer Presents Comedy on Earth: NYC 2020-2021 (2021)

95^th percentile spread · 71% rated it 4 or lower

Most loved · director

Taylor Tomlinson: Look at You (2022)

Midcredits 93^rd · 81% liked

Reviewers score the atmosphere 49/100 and the pacing 54/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kristian Mercado work with?

People who share at least 2 of Kristian Mercado's MovieCove titles, grouped by what they did on them; Reuter shares the most, 4.