Mariano Agustín Fernández
- Composer
- 3 on MovieCove
What are Mariano Agustín Fernández's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 1 · Serious 0 · Dark 2
Grounded 3 · Stylized 0 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mariano Agustín Fernández's films?
As of October 24, 2026, none of Mariano Agustín Fernández's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Mariano Agustín Fernández's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Blue Lights(2024)
Midcredits score: 64th percentile of all films
Memories of a Teenager(2019)
Midcredits score: 70th percentile of all films
Contra Paraguay(2014)
Midcredits score: 75th percentile of all films (provisional, few ratings)
Career shape
Across a limited sample of 3 MovieCove titles from 2014 to 2024.
How do Mariano Agustín Fernández's films land?
Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 73rd percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
2 of their 3 titles are Crowd Pleasers.
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Mariano Agustín Fernández work with?
People who share at least 2 of Mariano Agustín Fernández's MovieCove titles, grouped by what they did on them; Lucas Santa Ana shares the most, 2.
Directors
- Lucas Santa AnaShared titles: Blue Lights (2024), Memories of a Teenager (2019)See all 2 shared titles with Lucas Santa Ana
Cinematographers and editors
- Marcela TruglioShared titles: Blue Lights (2024), Memories of a Teenager (2019)See all 2 shared titles with Marcela Truglio
- Pablo GalarzaShared titles: Blue Lights (2024), Memories of a Teenager (2019)See all 2 shared titles with Pablo Galarza
Producers
- Alberto MasliahShared titles: Blue Lights (2024), Memories of a Teenager (2019)See all 2 shared titles with Alberto Masliah
- Cintia MichelettiShared titles: Blue Lights (2024), Contra Paraguay (2014)See all 2 shared titles with Cintia Micheletti
- Daniel ChocrónShared titles: Blue Lights (2024), Memories of a Teenager (2019)See all 2 shared titles with Daniel Chocrón