Felipe Téllez

What are Felipe Téllez's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Felipe Téllez's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Lost in Tomorrow (2023) · composer · free
  • The Howling (2017) · composer · free
• Prime Video1 title, browse their movies on this service
  • Lost in Tomorrow (2023) · composer

Subscription and free streaming for Felipe Téllez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Dear Gentlemen(2024)

  Composer

  Midcredits score: 79th percentile of all films79^th
• 

  Dear Gentlemen(2024)

  Composer

  Midcredits score: 78th percentile of all films78^th
• 

  Lost in Tomorrow(2023)

  Composer

  Midcredits score: 15th percentile of all films15^th
• 

  The Howling(2017)

  Composer

  Midcredits score: 6th percentile of all films6^th

Career shape

Across a limited sample of 4 MovieCove titles from 2017 to 2024.

Biggest box office

Dear Gentlemen (2024)

$90K worldwide

Most popular right now

Dear Gentlemen (2024)

How do Felipe Téllez's films land?

Their typical MovieCove film has a Midcredits score in the 47^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 43^rd percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

121

• Divisive1
• Crowd Pleaser2
• Mixed1

Most divisive · composer

The Howling (2017)

94^th percentile spread · 67% rated it 4 or lower

Most loved · composer

Dear Gentlemen (2024)

Midcredits 79^th · 69% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Felipe Téllez work with?

People who share at least 2 of Felipe Téllez's MovieCove titles, grouped by what they did on them; Patricia Castañeda shares the most, 2.