
Rasmus Krogh
Producer, also cinematographer
- Producer, also cinematographer
- 12 on MovieCove
What are Rasmus Krogh's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 12
A split, not a type: Light 3 · Serious 4 · Dark 5
Grounded 9 · Stylized 3 · Heightened 0
Gentle 3 · Charged 5 · Intense 4
Steady 7 · Shifting 5 · Whiplash 0
Straight-faced 6 · Some laughs 5 · Funny 1
Slow burn 4 · Even-paced 7 · Relentless 1
Casual 3 · Engaged 7 · Full focus 2
A split, not a type: Easy watch 3 · Affecting 3 · Heavy 6
Resolved 7 · Open-ended 4 · Ambiguous 1
Moods and endings
- Happy6
- Bittersweet1
- Tragic1
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Rasmus Krogh's films?
As of October 24, 2026, 4 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Rasmus Krogh's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 12 with a MovieCove page.

Bad Neighbors(2026)
Midcredits score: 57th percentile of all films
Safe House(2025)
Midcredits score: 64th percentile of all films
Handling the Undead(2024)
Midcredits score: 25th percentile of all films
Super-Charlie(2024)
Midcredits score: 40th percentile of all films
Midcredits score: 63rd percentile of all films
Feed(2022)
Midcredits score: 35th percentile of all films
Three Robbers and a Lion(2022)
Midcredits score: 72nd percentile of all films
Midcredits score: 63rd percentile of all films (provisional, few ratings)
Midcredits score: 48th percentile of all films
The Congo Murders(2018)
Midcredits score: 47th percentile of all films
Midcredits score: 15th percentile of all films
I Love You(2016)
Midcredits score: 12th percentile of all films
Career shape
Across their 12 MovieCove titles from 2016 to 2026.

Biggest box office
Three Robbers and a Lion (2022)

Highest rated
Three Robbers and a Lion (2022)

Most popular right now
Handling the Undead (2024)
Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.
How do Rasmus Krogh's films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 55th percentile for acclaim.
- 50th to 74th5
- 25th to 49th5
- Below 25th2
Shape of the crowd
6 of their 12 titles are Mixed.
- Divisive1
- Crowd Pleaser2
- Broadly Agreed3
- Mixed6
Reviewers score the cinematography 69/100 in their films, across 5 reviewed titles; fans 76, detractors 53. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Rasmus Krogh's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Rasmus Krogh work with?
People who share at least 2 of Rasmus Krogh's MovieCove titles, grouped by what they did on them; Rasmus A. Sivertsen shares the most, 2.
Directors
- Rasmus A. SivertsenShared titles: Three Robbers and a Lion (2022), Captain Sabertooth and the Magic Diamond (2019)See all 2 shared titles with Rasmus A. Sivertsen

Writers
- Karsten FulluShared titles: Three Robbers and a Lion (2022), Captain Sabertooth and the Magic Diamond (2019)See all 2 shared titles with Karsten Fullu
Actors
- Annica LiljebladShared titles: Bad Neighbors (2026), Feed (2022)See all 2 shared titles with Annica Liljeblad

- Tuva NovotnyShared titles: Bad Neighbors (2026), Super-Charlie (2024)See all 2 shared titles with Tuva Novotny

- Hakeem Kae-KazimShared titles: Hammarskjöld: Fight for Peace (2023), The Congo Murders (2018)See all 2 shared titles with Hakeem Kae-Kazim

- Aksel HennieShared titles: Three Robbers and a Lion (2022), The Congo Murders (2018)See all 2 shared titles with Aksel Hennie

Composers
- Oscar FogelströmShared titles: Bad Neighbors (2026), Feed (2022)See all 2 shared titles with Oscar Fogelström

- Johannes RingenShared titles: Captain Sabertooth and the Magic Diamond (2019), The Congo Murders (2018)See all 2 shared titles with Johannes Ringen

Producers
- Börje HanssonShared titles: Bad Neighbors (2026), Feed (2022)See all 2 shared titles with Börje Hansson

- Hans EngholmShared titles: Bad Neighbors (2026), Feed (2022)See all 2 shared titles with Hans Engholm
- Paolo VacircaShared titles: Bad Neighbors (2026), Feed (2022)See all 2 shared titles with Paolo Vacirca

- Anna CronemanShared titles: Super-Charlie (2024), Hammarskjöld: Fight for Peace (2023)See all 2 shared titles with Anna Croneman
