Kiyoshi Shintaku

What are Kiyoshi Shintaku's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kiyoshi Shintaku's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Crunchyroll (3).

• Crunchyroll3 titles
  • Eiga Bakuten!! (2022) · producer
  • Bakuten! (2021) · producer
  • Itsuka Tenma no Kuro Usagi (2011) · production manager
• Netflix1 title, browse their movies on this service
  • Akane-banashi (2026) · other

Subscription and free streaming for Kiyoshi Shintaku's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  Akane-banashi(2026)

  Show 12 episodes · Other

  Midcredits score: 84th percentile of all shows84^th
• 

  Eiga Bakuten!!(2022)

  Producer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Bakuten!(2021)

  Show 12 episodes · Executive Producer

  Midcredits score: 62nd percentile of all shows62^nd
• 

  Love Me, Love Me Not(2020)

  Producer

  Midcredits score: 74th percentile of all films74^th
• 

  Kase-san and Morning Glories(2018)

  Line Producer

  Midcredits score: 87th percentile of all films87^th
• 

  Itsuka Tenma no Kuro Usagi(2011)

  Show 12 episodes · Production Manager

  Midcredits score: 2nd percentile of all shows (provisional, few ratings)~2^nd

Career shape

A full career of 5 titles from 2011 to 2026.

Highest rated

Kase-san and Morning Glories (2018)

Midcredits 87^th

How do Kiyoshi Shintaku's films land?

Their typical MovieCove film has a Midcredits score in the 83^rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 87^th percentile for acclaim.

Shape of the crowd

4 of their 6 titles are Crowd Pleasers.

42

• Crowd Pleaser4
• Mixed2

Most divisive · producer

Eiga Bakuten!! (2022)

62^nd percentile spread · 16% rated it 4 or lower

Most loved · producer

Kase-san and Morning Glories (2018)

Midcredits 87^th · 71% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kiyoshi Shintaku work with?

People who share at least 2 of Kiyoshi Shintaku's MovieCove titles, grouped by what they did on them; Toshimasa Kuroyanagi shares the most, 2.