Andrew Petrilak

What are Andrew Petrilak's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrew Petrilak's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Netflix (2).

• Netflix2 titles, browse their movies on this service
  • Michael Che Matters (2016) · producer
  • American Symphony (2023) · producer
• Hulu1 title, browse their movies on this service
  • The First Wave (2021) · producer
• Prime Video1 title, browse their movies on this service
  • The Boy from Medellín (2020) · producer

Subscription and free streaming for Andrew Petrilak's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  American Symphony(2023)

  Producer

  Midcredits score: 73rd percentile of all films73^rd
• 

  The First Wave(2021)

  Producer

  Midcredits score: 82nd percentile of all films82^nd
• 

  The Boy from Medellín(2020)

  Producer

  Midcredits score: 53rd percentile of all films53^rd
• 

  Michael Che Matters(2016)

  Producer

  Midcredits score: 81st percentile of all films81^st

Career shape

Across a limited sample of 4 MovieCove titles from 2016 to 2023.

Biggest box office

The First Wave (2021)

$65K worldwide

Highest rated

The First Wave (2021)

Midcredits 82^nd

Most popular right now

American Symphony (2023)

How do Andrew Petrilak's films land?

Their typical MovieCove film has a Midcredits score in the 77^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 78^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

121

• Cult Classic1
• Crowd Pleaser2
• Mixed1

Most divisive · producer

The Boy from Medellín (2020)

89^th percentile spread · 28% rated it 4 or lower

Most loved · producer

The First Wave (2021)

Midcredits 82^nd · 68% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Andrew Petrilak work with?

People who share at least 2 of Andrew Petrilak's MovieCove titles, grouped by what they did on them; Matthew Heineman shares the most, 3.