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Moara Passoni

Moara Passoni

Producer and writer

Venice award nominee

Moara Passoni is a writer-director named one of Filmmaker Magazine's "25 New Faces of Independent Film" and winner of the Milena Jelinek Memorial Award for her MFA in Screenwriting and Directing at Columbia University in the City of New York. Her short film "My Mother is a Cow" premiered at the Venice Film Festival, won Best Short at Bafici and Best Directing at the Cyprus International Short Film Festival, and screened at over 30 festivals worldwide. "Extase", her first non-fiction feature film, premiered in the main competition of CPH:DOX 2020, which hallmarked Moara as "one of the great names of today". The film screened at MoMA Doc Fortnight 2021, Visions Du Réel 2020 among others, receiving fabulous critiques and winning several awards, including the Prix D'Innovation Daniel Langlois at Festival Du Cinema Nouveau, the Jury Award for best newcomers at the São Paulo International Film Festival and the Best Film Young Jury Award at Cinema Jove. She served as a writer and producer for the Academy Award Nominee and Peabody winner "The Edge Of Democracy'', for which she was nominated for best narration/writing by The Critics' Choice Awards and the International Documentary Association. Moara graduated in Sociology, Anthropology, and Political Sciences at the University of São Paulo, studied Dance & Performance at PUC/SP in addition to Philosophy & Aesthetics at Paris 8. After finishing a master's in Film & Documentary at Unicamp, she joined the MFA in Screenwriting-Directing at Columbia University. Passoni works between Brazil and the U.S., and is developing a narrative TV series and her debut fiction feature.

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Biography from IMDb.

Works as
Producer and writer
Titles
3 on MovieCove

What are Moara Passoni's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Bonds.

Themes

share of theme weight
Power
39%
Bonds
15%
Society
15%
Survival
12%
Morality
11%
Self
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 2

Grounded 2 · Stylized 1 · Heightened 0

Gentle 0 · Charged 2 · Intense 1

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

A split, not a type: Slow burn 1 · Even-paced 2 · Relentless 0

Casual 0 · Engaged 1 · Full focus 2

Easy watch 0 · Affecting 1 · Heavy 2

A split, not a type: Resolved 0 · Open-ended 1 · Ambiguous 2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Contemplative
2
Melancholic
1
Dread
1
Elegiac
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Moara Passoni's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, on Netflix (2).

Subscription and free streaming for Moara Passoni's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

Career shape

Across a limited sample of 3 MovieCove titles from 2012 to 2024.

By role

only this rolewith another role
Writing2 of 3: 1 only writing, 1 with another roleProducing2 of 3: 1 only producing, 1 with another role

By decade

2010s2 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

Awards

Nominated for a Venice award in 2024, Best Short Film.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Moara Passoni's films land?

Their typical MovieCove film has a Midcredits score in the 93rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 93rd percentile for acclaim.

Acclaim · how much people like their films

93rdpercentile
Typical film, the median of 3

Approval · how many liked their films

89thpercentile
Typical film, the median of 3

Reach · how many have seen their films

78thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up3

Reviewers score the plot and story 68/100 in their films, across 3 reviewed titles; fans 73, detractors 20. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Moara Passoni work with?

People who share at least 2 of Moara Passoni's MovieCove titles, grouped by what they did on them; Petra Costa shares the most, 3.

Directors

Writers

Actors

Cinematographers and editors

Producers