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Erin Levin Bernhardt

Erin Levin Bernhardt

Producer, director and writer

Erin Bernhardt is the Director of Common Pictures, the impact media arm of The Edward E. Haddock, Jr. Family Foundation. Common Pictures amplifies stories that humanize, inspire and heal our broken world. We aim to spark the moral imagination by understanding the world as it is and pausing to consider how it might be. The impact media projects we create and support affirm social justice, environmental stewardship and the dignity of our shared humanity. They dismiss polarization, motivate audiences with hope, and instigate restorative work. We focus our resources in three areas: Healing of Racial Trauma in America Eco-Restoration Mutual Flourishing for Israelis and Palestinians Prior to Common Pictures, Erin produced and directed Refuge, an Academy Award-qualified documentary Executive Produced by Katie Couric, following a leader in a white nationalist hate group who finds healing from the people he once hated - a Muslim heart doctor and his town of refugees. She also produced Imba Means Sing, a film about the Grammy-nominated African Children's Choir that was picked up by Netflix. Both films also streamed as highlighted documentaries on Delta Airlines worldwide. Prior to independent filmmaking, Erin served in the Peace Corps in Madagascar and worked as a Writer and Producer at CNN.

Read more

Biography from IMDb.

Works as
Producer, director and writer
Titles
3 on MovieCove

What are Erin Levin Bernhardt's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Themes

share of theme weight
Self
39%
Survival
20%
Society
16%
Morality
14%
Ideas
12%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 0 · Heightened 0

Gentle 0 · Charged 2 · Intense 1

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

A split, not a type: Slow burn 2 · Even-paced 0 · Relentless 1

A split, not a type: Casual 2 · Engaged 0 · Full focus 1

A split, not a type: Easy watch 0 · Affecting 2 · Heavy 1

Resolved 1 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Hopeful
2
Contemplative
2
Dread
1
Melancholic
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Erin Levin Bernhardt's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Erin Levin Bernhardt's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

  • Midcredits score: 99th percentile of all films
  • Refuge(2021)

    Director · Producer

    Midcredits score: 85th percentile of all films (provisional, few ratings)
  • Imba Means Sing(2015)

    Producer · Writer

    Midcredits score: 89th percentile of all films (provisional, few ratings)

Career shape

Across a limited sample of 3 MovieCove titles from 2015 to 2025.

By role

only this rolewith another role
Directing1 of 3: 0 only directing, 1 with another roleWriting1 of 3: 0 only writing, 1 with another roleProducing3 of 3: 1 only producing, 2 with another role

By decade

2010s1 · crew2020s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Erin Levin Bernhardt's films land?

Their typical MovieCove film has a Midcredits score in the 89th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 93rd percentile for acclaim.

Acclaim · how much people like their films

93rdpercentile
Typical film, the median of 3

Approval · how many liked their films

82ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

17thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Erin Levin Bernhardt work with?

People who share at least 2 of Erin Levin Bernhardt's MovieCove titles, grouped by what they did on them; Ryan Potesta shares the most, 2.

Composers

Producers