Austin Swift was born on 11 March 1992 in West Reading, Pennsylvania, USA. He is an actor and producer, known for Taylor Swift: Folklore: The Long Pond Studio Sessions (2020), Cover Versions (2018) and Taylor Swift: I Bet You Think About Me (Taylor's Version) (2021).
Biography from IMDb.
- March 11, 1992 (34)
- West Reading, Pennsylvania, USA
- Actor and producer
- 8 on MovieCove
Known for
What are Austin Swift's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Society and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 4
Light 2 · Serious 2 · Dark 1
Grounded 3 · Stylized 2 · Heightened 0
Gentle 1 · Charged 3 · Intense 1
Steady 2 · Shifting 2 · Whiplash 1
Straight-faced 2 · Some laughs 3 · Funny 0
Slow burn 4 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 2 · Full focus 1
Easy watch 1 · Affecting 4 · Heavy 0
A split, not a type: Resolved 3 · Open-ended 0 · Ambiguous 2
Moods and endings
- Bittersweet4
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Austin Swift's films?
As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Austin Swift's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
8 credits, 8 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Midcredits score: 99th percentile of all films
I Am Mortal(2021)
Midcredits score: 3rd percentile of all films
Midcredits score: 99th percentile of all films
We Summon the Darkness(2019)
Midcredits score: 15th percentile of all films
Braking for Whales(2019)
Midcredits score: 28th percentile of all films
Cover Versions(2018)
Midcredits score: 32nd percentile of all films
Live by Night(2016)
Midcredits score: 52nd percentile of all films
I.T.(2016)
Midcredits score: 18th percentile of all films
Career shape
Star power in the 78th percentile of 239,109 people with a billed film role, over a full career of 7 titles from 2016 to 2025; peak year 2017.
Biggest box office
We Summon the Darkness (2019)
Highest rated
Taylor Swift: Folklore: The Long Pond Studio Sessions (2020)
Most popular right now
Taylor Swift: The End of an Era (2025)
Film career
Peak 2017 · at the high point of their film career. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 2016Screen debut· I.T.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Austin Swift's films land?
Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 8; across their 5 films with reception data, the typical film sits in the 23rd percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th2
- Below 25th3
Shape of the crowd
3 of their 8 titles are Mixed.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser1
- Broadly Agreed2
- Mixed3
Reviewers score the acting 65/100 in their films, across 5 reviewed titles; fans 77, detractors 31. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Austin Swift's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Austin Swift work with?
People who share at least 2 of Austin Swift's MovieCove titles, grouped by what they did on them; Taylor Swift shares the most, 2.
Actors
- Taylor SwiftShared titles: Taylor Swift: The End of an Era (2025), Taylor Swift: Folklore: The Long Pond Studio Sessions (2020)See all 2 shared titles with Taylor Swift
Editors
- Laura RandolphShared titles: Taylor Swift: The End of an Era (2025), Taylor Swift: Folklore: The Long Pond Studio Sessions (2020)See all 2 shared titles with Laura Randolph
Producers
- Ryan WintersternShared titles: We Summon the Darkness (2019), Cover Versions (2018)See all 2 shared titles with Ryan Winterstern
Mixed roles
- Andrea SwiftShared titles: Taylor Swift: The End of an Era (2025), Taylor Swift: Folklore: The Long Pond Studio Sessions (2020)See all 2 shared titles with Andrea Swift
