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Park Joo-suk

Writer

Works as
Writer
Titles
3 on MovieCove · 4 credits in all
TMDB popularity, last 157 days to Oct 28Down 5% in 30 days

What are Park Joo-suk's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 0 · Dark 2

Grounded 1 · Stylized 2 · Heightened 0

Gentle 0 · Charged 0 · Intense 3

Steady 0 · Shifting 2 · Whiplash 1

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 0 · Even-paced 1 · Relentless 2

Casual 0 · Engaged 2 · Full focus 1

Easy watch 0 · Affecting 0 · Heavy 3

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Dread
2
Melancholic
1
Bittersweet
1
Hopeful
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Park Joo-suk's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Park Joo-suk's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 3 with a MovieCove page.

  • Project Silence(2023)

    Writer

    Midcredits score: 31st percentile of all films
  • Train to Busan(2016)

    Writer

    Midcredits score: 97th percentile of all films
  • Midcredits score: 84th percentile of all films
  • The Last Train to New York (not in the MovieCove catalog yet)

    Original Film Writer

Career shape

A full career of 4 titles, 3 of them dated from 2013 to 2024.

By role

only this rolewith another role
Writing4 of 4: 4 only writing, 0 with another role

By decade

2010s2 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Park Joo-suk's films land?

Their typical MovieCove film has a Midcredits score in the 84th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 83rd percentile for acclaim.

Acclaim · how much people like their films

83rdpercentile
Typical film, the median of 3

Approval · how many liked their films

82ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up2
  • 25th to 49th1

Shape of the crowd

None of their 3 titles divides audiences: 1 is Universally Loved.

  • Universally Loved1
  • Crowd Pleaser1
  • Mixed1

Reviewers score the plot and story 57/100 in their films, across 3 reviewed titles; fans 62, detractors 27. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Park Joo-suk work with?

People who share at least 2 of Park Joo-suk's MovieCove titles, grouped by what they did on them; Kim Su-an shares the most, 2.

Actors

Producers