Carsten Bauhaus

What are Carsten Bauhaus' films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Carsten Bauhaus' films?

As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.

• Tubi1 title, browse their movies on this service
  • The Year I Lost My Mind (2017) · producer · free

Subscription and free streaming for Carsten Bauhaus' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Orpheus' Song(2019)

  Producer

  Midcredits score: 32nd percentile of all films32^nd
• 

  The Year I Lost My Mind(2017)

  Producer

  Midcredits score: 26th percentile of all films26^th
• 

  The Passenger(2012)

  Producer

  Midcredits score: 8th percentile of all films8^th

Career shape

Across a limited sample of 3 MovieCove titles from 2012 to 2019.

Highest rated

Orpheus' Song (2019)

Midcredits 32^nd

How do Carsten Bauhaus' films land?

Their typical MovieCove film has a Midcredits score in the 26^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 31^st percentile for acclaim.

Shape of the crowd

3 of their 3 titles are Mixed.

3

• Mixed3

Most divisive · producer

The Passenger (2012)

79^th percentile spread · 57% rated it 4 or lower

Most loved · producer

Orpheus' Song (2019)

Midcredits 32^nd · 37% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Carsten Bauhaus work with?

People who share at least 2 of Carsten Bauhaus' MovieCove titles, grouped by what they did on them; Tor Iben shares the most, 3.