Lawrence B. Benenson
- Producer
- 7 on MovieCove
What are Lawrence B. Benenson's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Society.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 6
Light 1 · Serious 5 · Dark 1
Grounded 6 · Stylized 1 · Heightened 0
A split, not a type: Gentle 4 · Charged 2 · Intense 1
Steady 5 · Shifting 2 · Whiplash 0
Straight-faced 5 · Some laughs 1 · Funny 1
Slow burn 5 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 3 · Full focus 1
Easy watch 4 · Affecting 2 · Heavy 1
Resolved 6 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet4
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lawrence B. Benenson's films?
As of October 24, 2026, all 7 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Lawrence B. Benenson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 7 with a MovieCove page.
Don't F with Pablo(2024)
Midcredits score: 49th percentile of all films (provisional, few ratings)
Red Whiteville and Blue(2024)
Midcredits score: 86th percentile of all films (provisional, few ratings)
The Hunt for Planet B(2021)
Midcredits score: 72nd percentile of all films
Halston(2019)
Midcredits score: 75th percentile of all films
The Price of Everything(2018)
Midcredits score: 90th percentile of all films
Be Afraid(2017)
Midcredits score: 13th percentile of all films
Eva Hesse(2016)
Midcredits score: 80th percentile of all films
Career shape
Across their 7 MovieCove titles from 2016 to 2024.
How do Lawrence B. Benenson's films land?
Their typical MovieCove film has a Midcredits score in the 75th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 79th percentile for acclaim.
- 75th and up4
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
3 of their 7 titles are Crowd Pleasers.
- Divisive1
- Crowd Pleaser3
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lawrence B. Benenson work with?
People who share at least 2 of Lawrence B. Benenson's MovieCove titles, grouped by what they did on them; Nathaniel Kahn shares the most, 2.
Directors
- Nathaniel KahnShared titles: The Hunt for Planet B (2021), The Price of Everything (2018)See all 2 shared titles with Nathaniel Kahn
Producers
- Lisa RemingtonShared titles: The Hunt for Planet B (2021), The Price of Everything (2018)See all 2 shared titles with Lisa Remington
- Brian David CangeShared titles: The Price of Everything (2018), Eva Hesse (2016)See all 2 shared titles with Brian David Cange
