Takashi Horiuchi

What are Takashi Horiuchi's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Takashi Horiuchi's films?

As of October 28, 2026, none of Takashi Horiuchi's 7 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Takashi Horiuchi's titles on MovieCove; rent and buy are not counted.

Filmography

7 credits, 7 with a MovieCove page.

• 

  Keriyon Shin-chan: Oh, I'm Sorry!(2000)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  Crayon Shin-chan: Explosion! The Hot Spring's Feel Good Final Battle(1999)

  Producer

  Midcredits score: 49th percentile of all films49^th
• 

  Crayon Shin-chan: Blitzkrieg! Pig's Hoof's Secret Mission(1998)

  Producer

  Midcredits score: 75th percentile of all films75^th
• 

  Kureyon Shin-chan: Hendârando no daibôken(1996)

  Producer

  Midcredits score: 86th percentile of all films86^th
• 

  Crayon Shin-chan: Unkokusai no Yabou(1995)

  Producer

  Midcredits score: 62nd percentile of all films62^nd
• 

  Crayon Shin-chan: The Hidden Treasure of the Buri Buri Kingdom(1994)

  Producer

  Midcredits score: 74th percentile of all films74^th
• 

  Kureyon Shinchan: Action Kamen vs Haigure Maô(1993)

  Producer

  Midcredits score: 75th percentile of all films75^th

Career shape

Across their 7 MovieCove titles from 1993 to 2000.

Highest rated

Keriyon Shin-chan: Oh, I'm Sorry! (2000)

Midcredits 89^th

Most popular right now

Crayon Shin-chan: The Hidden Treasure of the Buri Buri Kingdom (1994)

How do Takashi Horiuchi's films land?

Their typical MovieCove film has a Midcredits score in the 75^th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 75^th percentile for acclaim.

Shape of the crowd

None of their 7 titles divides audiences: 5 are Crowd Pleasers.

151

• Universally Loved1
• Crowd Pleaser5
• Mixed1

Most loved · producer

Keriyon Shin-chan: Oh, I'm Sorry! (2000)

Midcredits 89^th · 75% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Takashi Horiuchi work with?

People who share at least 2 of Takashi Horiuchi's MovieCove titles, grouped by what they did on them; Yoshito Usui shares the most, 7.