Alex Blavatnik
- Producer
- 4 on Motif
What are Alex Blavatnik's films like?
Across a limited sample of 4 Motif titles with a thematic analysis, their films lean Self and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 4 · Serious 0 · Dark 0
Grounded 4 · Stylized 0 · Heightened 0
Gentle 4 · Charged 0 · Intense 0
Steady 4 · Shifting 0 · Whiplash 0
Straight-faced 2 · Some laughs 2 · Funny 0
Slow burn 4 · Even-paced 0 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 4 · Affecting 0 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alex Blavatnik's films?
As of October 24, 2026, all 4 Motif titles stream on a subscription or free service.
Subscription and free streaming for Alex Blavatnik's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a Motif page.

Let There Be Drums!(2022)
Motif score: 75th percentile of all films
Between Me and My Mind(2019)
Motif score: 90th percentile of all films
Ballet Now(2018)
Motif score: 72nd percentile of all films
For the Love of Spock(2016)
Motif score: 95th percentile of all films
Career shape
Across a limited sample of 4 Motif titles from 2016 to 2022.
How do Alex Blavatnik's films land?
Their typical Motif film has a Motif score in the 83rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 83rd percentile for acclaim.
- 75th and up3
- 50th to 74th1
Shape of the crowd
2 of their 4 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alex Blavatnik work with?
People who share at least 2 of Alex Blavatnik's Motif titles, grouped by what they did on them; Steven Cantor shares the most, 2.
Directors
- Steven CantorShared titles: Between Me and My Mind (2019), Ballet Now (2018)See all 2 shared titles with Steven Cantor
Cinematographers
- Johnny Saint-OursShared titles: Between Me and My Mind (2019), Ballet Now (2018)See all 2 shared titles with Johnny Saint-Ours

Producers
- Dani DrusinShared titles: Between Me and My Mind (2019), Ballet Now (2018)See all 2 shared titles with Dani Drusin
- Jamie SchutzShared titles: Between Me and My Mind (2019), Ballet Now (2018)See all 2 shared titles with Jamie Schutz

- Jonathan FieldShared titles: Between Me and My Mind (2019), Ballet Now (2018)See all 2 shared titles with Jonathan Field