Aaron Latham-James
- Producer
- 13 on MovieCove
What are Aaron Latham-James' films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Society and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 10
Light 8 · Serious 2 · Dark 1
Grounded 8 · Stylized 1 · Heightened 2
Gentle 4 · Charged 5 · Intense 2
Steady 9 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 6 · Some laughs 2 · Funny 3
Slow burn 3 · Even-paced 7 · Relentless 1
Casual 9 · Engaged 2 · Full focus 0
Easy watch 7 · Affecting 3 · Heavy 1
Resolved 10 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy7
- Bittersweet5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Aaron Latham-James' films?
As of October 24, 2026, 10 of their 13 MovieCove titles stream on a subscription or free service.
- Ghost: Rite Here Rite Now (2024) · producer · free
- Janes Addiction Ritual De Lo Habitual Alive at Twenty Five (2017) · producer · free
- Yoshiki: Under the Sky (2023) · producer · free
- Sheryl Crow Live at the Capitol Theatre (2018) · producer · free
- Kathy Griffin: A Hell of a Story (2019) · producer · free
Subscription and free streaming for Aaron Latham-James' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
13 credits, 13 with a MovieCove page.
Midcredits score: 99th percentile of all films
Midcredits score: 18th percentile of all films
Midcredits score: 98th percentile of all films
Yoshiki: Under the Sky(2023)
Midcredits score: 79th percentile of all films (provisional, few ratings)
Midcredits score: 78th percentile of all films
Midcredits score: 8th percentile of all shows
Midcredits score: 93rd percentile of all films (provisional, few ratings)
Midcredits score: 58th percentile of all films
Midcredits score: 97th percentile of all films
Midcredits score: 54th percentile of all films
Midcredits score: 59th percentile of all films (provisional, few ratings)
Midcredits score: 92nd percentile of all films (provisional, few ratings)
The Standups(2017)
Midcredits score: 25th percentile of all shows
Career shape
Across their 13 MovieCove titles from 2017 to 2024.
How do Aaron Latham-James' films land?
Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 92nd percentile for acclaim.
- 75th and up7
- 50th to 74th3
- 25th to 49th1
- Below 25th2
Shape of the crowd
6 of their 13 titles are Mixed.
- Universally Loved2
- Divisive2
- Cult Classic1
- Crowd Pleaser1
- Broadly Agreed1
- Mixed6
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Aaron Latham-James work with?
People who share at least 2 of Aaron Latham-James' MovieCove titles, grouped by what they did on them; Mark Ritchie shares the most, 7.
Directors
- Mark RitchieShared titles: Renaissance: A Film by Beyoncé (2023), Yoshiki: Under the Sky (2023), Felipe Esparza: Bad Decisions (2020), Foreigner Double Vision 40 Live.Reloaded (2019), Oprah Winfrey Presents: When They See Us Now (2019), Sheryl Crow Live at the Capitol Theatre (2018), Janes Addiction Ritual De Lo Habitual Alive at Twenty Five (2017)See all 7 shared titles with Mark Ritchie

- Claude ShiresShared titles: Franco Escamilla: Voyerista Auditivo (2022), Felipe Esparza: Bad Decisions (2020)See all 2 shared titles with Claude Shires

- Troy MillerShared titles: Kathy Griffin: A Hell of a Story (2019), The Standups (2017)See all 2 shared titles with Troy Miller

Cinematographers and editors
- Chuck OzeasShared titles: Franco Escamilla: Voyerista Auditivo (2022), Kathy Griffin: A Hell of a Story (2019), The Standups (2017)See all 3 shared titles with Chuck Ozeas

- Kenneth WalesShared titles: Renaissance: A Film by Beyoncé (2023), Yoshiki: Under the Sky (2023)See all 2 shared titles with Kenneth Wales
- Don WilsonShared titles: Foreigner Double Vision 40 Live.Reloaded (2019), Sheryl Crow Live at the Capitol Theatre (2018)See all 2 shared titles with Don Wilson
- Pete HentrichShared titles: Kathy Griffin: A Hell of a Story (2019), The Standups (2017)See all 2 shared titles with Pete Hentrich
Producers
- Barry SummersShared titles: Foreigner Double Vision 40 Live.Reloaded (2019), Sheryl Crow Live at the Capitol Theatre (2018), Janes Addiction Ritual De Lo Habitual Alive at Twenty Five (2017)See all 3 shared titles with Barry Summers
- Brandt WilleShared titles: Ghost: Rite Here Rite Now (2024), Amy Schumer: Emergency Contact (2023)See all 2 shared titles with Brandt Wille

- Neil A. SheridanShared titles: Felipe Esparza: Bad Decisions (2020), The Standups (2017)See all 2 shared titles with Neil A. Sheridan

- Sonia LisetteShared titles: Felipe Esparza: Bad Decisions (2020), The Standups (2017)See all 2 shared titles with Sonia Lisette
