Max Siemers

What are Max Siemers' films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Max Siemers' films?

As of October 24, 2026, 11 of their 13 MovieCove titles stream on a subscription or free service, most on Netflix (7).

• Netflix7 titles, browse their movies on this service
  • To All the Boys I've Loved Before (2018) · producer
  • Love at First Sight (2023) · producer
  • To All the Boys: Always and Forever (2021) · producer
  • To All the Boys: P.S. I Still Love You (2020) · producer
  • Hello, Goodbye and Everything in Between (2022) · producer
  • Time Cut (2024) · producer
  • You Get Me (2017) · producer
• Paramount+2 titles, browse their movies on this service
  • Spontaneous (2020) · producer
  • Body Cam (2020) · producer
• discovery+1 title
  • Body Cam (2020) · producer
• Pluto TV1 title, browse their movies on this service
  • Body Cam (2020) · producer · free
• Prime Video1 title, browse their movies on this service
  • Love in Taipei (2023) · producer
• STARZ1 title, browse their movies on this service
  • Before I Fall (2017) · producer

Subscription and free streaming for Max Siemers' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

• 

  Time Cut(2024)

  Producer

  Midcredits score: 12th percentile of all films12^th
• 

  Love at First Sight(2023)

  Producer

  Midcredits score: 75th percentile of all films75^th
• 

  Love in Taipei(2023)

  Producer

  Midcredits score: 34th percentile of all films34^th
• 

  Hello, Goodbye and Everything in Between(2022)

  Producer

  Midcredits score: 18th percentile of all films18^th
• 

  To All the Boys: Always and Forever(2021)

  Producer

  Midcredits score: 60th percentile of all films60^th
• 

  Body Cam(2020)

  Producer

  Midcredits score: 23rd percentile of all films23^rd
• 

  Spontaneous(2020)

  Producer

  Midcredits score: 64th percentile of all films64^th
• 

  To All the Boys: P.S. I Still Love You(2020)

  Producer

  Midcredits score: 52nd percentile of all films52^nd
• 

  To All the Boys I've Loved Before(2018)

  Producer

  Midcredits score: 82nd percentile of all films82^nd
• 

  Before I Fall(2017)

  Producer

  Midcredits score: 64th percentile of all films64^th
• 

  Behind the Curtain: Todrick Hall(2017)

  Producer

  Midcredits score: 74th percentile of all films74^th
• 

  You Get Me(2017)

  Producer

  Midcredits score: 8th percentile of all films8^th
• 

  Shovel Buddies(2016)

  Producer

  Midcredits score: 29th percentile of all films29^th

Career shape

Across their 13 MovieCove titles from 2016 to 2024.

Biggest box office

Before I Fall (2017)

$16M worldwide

Highest rated

To All the Boys I've Loved Before (2018)

Midcredits 82^nd

How do Max Siemers' films land?

Their typical MovieCove film has a Midcredits score in the 52^nd percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 59^th percentile for acclaim.

Shape of the crowd

5 of their 13 titles are Crowd Pleasers.

525

• Cult Classic1
• Crowd Pleaser5
• Broadly Agreed2
• Mixed5

Most divisive · producer

Shovel Buddies (2016)

83^rd percentile spread · 39% rated it 4 or lower

Most loved · producer

To All the Boys I've Loved Before (2018)

Midcredits 82^nd · 70% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Max Siemers' work okay for kids?

Across up to 10 MovieCove titles with content scores, violence & gore and frightening / intense run lighter than most films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Max Siemers work with?

People who share at least 2 of Max Siemers' MovieCove titles, grouped by what they did on them; Matthew Kaplan shares the most, 13.