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Ji-Woong Nam

Ji-Woong Nam

Producer and writer · South Korea

From
South Korea
Works as
Producer and writer
Titles
6 on MovieCove · 7 credits in all
TMDB popularity, last 38 days to Oct 27Down 2% in 30 days

What are Ji-Woong Nam's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 1

Grounded 1 · Stylized 2 · Heightened 0

Gentle 0 · Charged 1 · Intense 2

Steady 0 · Shifting 3 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 0 · Even-paced 3 · Relentless 0

Casual 0 · Engaged 3 · Full focus 0

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Thrilling
2
Melancholic
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ji-Woong Nam's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Ji-Woong Nam's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 6 with a MovieCove page.

  • The Firefighters(2024)

    Executive Producer

    Midcredits score: 42nd percentile of all films
  • The Killer(2022)

    Executive Producer · Writer

    Midcredits score: 73rd percentile of all films
  • Tomb of the River(2021)

    Executive Producer

    Midcredits score: 41st percentile of all films
  • The Cursed Lesson(2020)

    Executive Producer

    Midcredits score: 8th percentile of all films
  • The Con Artists(2014)

    Executive Producer

    Midcredits score: 67th percentile of all films
  • Friend 2(2013)

    Producer

    Midcredits score: 55th percentile of all films
  • The Ugly Duckling (not in the MovieCove catalog yet)(2012)

    Executive Producer · as Torture specialist

Career shape

A full career of 7 titles from 2012 to 2024.

By role

only this rolewith another role
Acting1 of 7: 0 only acting, 1 with another roleWriting1 of 7: 0 only writing, 1 with another roleProducing7 of 7: 5 only producing, 2 with another role · typical Midcredits score49th

By decade

2010s3 · 1 acting · 3 crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ji-Woong Nam's films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 6; across a limited sample of 3 films with reception data, the typical film sits in the 66th percentile for acclaim.

Acclaim · how much people like their films

66thpercentile
Typical film, the median of 3

Approval · how many liked their films

65thpercentile
Typical film, the median of 3

Reach · how many have seen their films

71stpercentile
Typical film, the median of 3

Midcredits score across 6 titles, by percentile

  • 50th to 74th3
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

None of their 6 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3
  • Mixed3

Reviewers score the plot and story 42/100 in their films, across 3 reviewed titles; fans 68, detractors 27. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ji-Woong Nam work with?

People who share at least 2 of Ji-Woong Nam's MovieCove titles; Kim Woo-bin shares the most, 2.