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Angelo Sorrentino

Angelo Sorrentino

Cinematographer

Works as
Cinematographer
Titles
3 on MovieCove · 9 credits in all
TMDB popularity, last 39 days to Oct 28Down 28% in 30 days

What are Angelo Sorrentino's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
35%
Self
33%
Bonds
22%
Power
11%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 1

Grounded 1 · Stylized 1 · Heightened 1

Gentle 0 · Charged 1 · Intense 2

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 0 · Even-paced 2 · Relentless 1

A split, not a type: Casual 0 · Engaged 1 · Full focus 2

A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Thrilling
1
Dread
1
Contemplative
1
Romantic
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Angelo Sorrentino's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Angelo Sorrentino's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 3 with a MovieCove page.

  • U.S. Palmese (not in the MovieCove catalog yet)(2025)

    Cinematographer

  • Kostas (not in the MovieCove catalog yet)(2024)

    Show 8 episodes · Cinematographer

  • Diabolik: Who Are You?(2023)

    Cinematographer

    Midcredits score: 31st percentile of all films
  • Diabolik: Ginko Attacks(2022)

    Cinematographer

    Midcredits score: 22nd percentile of all films
  • The Crypt Monster (not in the MovieCove catalog yet)(2021)

    Camera Operator · Cinematographer

  • La tristezza ha il sonno leggero (not in the MovieCove catalog yet)(2021)

    Camera Operator

  • The End?(2017)

    Cinematographer

    Midcredits score: 21st percentile of all films
  • Love and Bullets (not in the MovieCove catalog yet)(2017)

    Camera Operator

  • All Night Long (not in the MovieCove catalog yet)(2015)

    Cinematographer · Story

Career shape

A full career of 9 titles from 2015 to 2025.

By role

only this rolewith another role
Writing1 of 9: 0 only writing, 1 with another roleCinematography7 of 9: 5 only cinematography, 2 with another roleOther crew3 of 9: 2 only other crew, 1 with another role

By decade

2010s3 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Angelo Sorrentino's films land?

Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 33rd percentile for acclaim.

Acclaim · how much people like their films

33rdpercentile
Typical film, the median of 3

Approval · how many liked their films

17thpercentile
Typical film, the median of 3

Reach · how many have seen their films

77thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 25th to 49th1
  • Below 25th2

Shape of the crowd

None of their 3 titles divides audiences: 2 are Broadly Agreed.

  • Broadly Agreed2
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Angelo Sorrentino work with?

People who share at least 2 of Angelo Sorrentino's MovieCove titles, grouped by what they did on them; Antonio Manetti shares the most, 3.

Directors

Writers

Actors

Composers and editors

Producers