
Marissa Torres Ericson
- Producer
- 15 on MovieCove
What are Marissa Torres Ericson's films like?
Across their 15 MovieCove titles with a thematic analysis, their films lean Self and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 13
Light 3 · Serious 5 · Dark 5
Grounded 10 · Stylized 3 · Heightened 0
A split, not a type: Gentle 6 · Charged 4 · Intense 3
Steady 11 · Shifting 1 · Whiplash 1
Straight-faced 11 · Some laughs 1 · Funny 1
Slow burn 10 · Even-paced 3 · Relentless 0
Casual 5 · Engaged 6 · Full focus 2
Easy watch 3 · Affecting 5 · Heavy 5
Resolved 9 · Open-ended 3 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet8
- Tragic1
- Ambiguous5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marissa Torres Ericson's films?
As of October 24, 2026, 14 of their 15 MovieCove titles stream on a subscription or free service, most on HBO Max (4).
- Curiosity Stream
Subscription and free streaming for Marissa Torres Ericson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 15 with a MovieCove page.

André Is an Idiot(2025)
Midcredits score: 93rd percentile of all films
Monsters of God(2026)
Midcredits score: 48th percentile of all shows
The Yogurt Shop Murders(2025)
Midcredits score: 16th percentile of all shows
Midcredits score: 87th percentile of all films
Look Into My Eyes(2024)
Midcredits score: 40th percentile of all films
The Sixth(2024)
Midcredits score: 75th percentile of all films
Midcredits score: 67th percentile of all films
Midcredits score: 92nd percentile of all films
The Deepest Breath(2023)
Midcredits score: 96th percentile of all films
The Velvet Underground(2021)
Midcredits score: 92nd percentile of all films
A Thousand Cuts(2020)
Midcredits score: 85th percentile of all films
Midcredits score: 70th percentile of all films
One Child Nation(2019)
Midcredits score: 93rd percentile of all films
Take Your Pills(2018)
Midcredits score: 54th percentile of all films
Chicken People(2016)
Midcredits score: 85th percentile of all films
Career shape
A full career of 5 titles from 2024 to 2026.

Biggest box office
One Child Nation (2019)

Highest rated
The Deepest Breath (2023)

Most popular right now
The Yogurt Shop Murders (2025)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Marissa Torres Ericson's films land?
Their typical MovieCove film has a Midcredits score in the 85th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 85th percentile for acclaim.
- 75th and up9
- 50th to 74th3
- 25th to 49th2
- Below 25th1
Shape of the crowd
7 of their 15 titles are Crowd Pleasers.
- Universally Loved2
- Loved with Detractors1
- Divisive1
- Cult Classic1
- Crowd Pleaser7
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Marissa Torres Ericson work with?
People who share at least 2 of Marissa Torres Ericson's MovieCove titles, grouped by what they did on them; Emily Osborne shares the most, 8.
Actors
- John WatersShared titles: The Velvet Underground (2021), Bully. Coward. Victim. The Story of Roy Cohn (2019)See all 2 shared titles with John Waters

Composers and editors
- Kevin KlauberShared titles: Monsters of God (2026), Chicken People (2016)See all 2 shared titles with Kevin Klauber

- Adam KurnitzShared titles: The Velvet Underground (2021), Bully. Coward. Victim. The Story of Roy Cohn (2019)See all 2 shared titles with Adam Kurnitz

- Chris RuggieroShared titles: Bully. Coward. Victim. The Story of Roy Cohn (2019), One Child Nation (2019)See all 2 shared titles with Chris Ruggiero

- Nathan HalpernShared titles: Bully. Coward. Victim. The Story of Roy Cohn (2019), One Child Nation (2019)See all 2 shared titles with Nathan Halpern

Producers
- Emily OsborneShared titles: Monsters of God (2026), André Is an Idiot (2025), The Yogurt Shop Murders (2025), Look Into My Eyes (2024), The Last of the Sea Women (2024), The Sixth (2024), Stephen Curry: Underrated (2023), The Deepest Breath (2023)See all 8 shared titles with Emily Osborne

- Carolyn HepburnShared titles: Love to Love You, Donna Summer (2023), The Velvet Underground (2021), A Thousand Cuts (2020), Bully. Coward. Victim. The Story of Roy Cohn (2019), One Child Nation (2019), Take Your Pills (2018), Chicken People (2016)See all 7 shared titles with Carolyn Hepburn

- Christopher ClementsShared titles: Love to Love You, Donna Summer (2023), The Velvet Underground (2021), A Thousand Cuts (2020), Bully. Coward. Victim. The Story of Roy Cohn (2019), One Child Nation (2019), Take Your Pills (2018), Chicken People (2016)See all 7 shared titles with Christopher Clements

- Julie GoldmanShared titles: Love to Love You, Donna Summer (2023), The Velvet Underground (2021), A Thousand Cuts (2020), Bully. Coward. Victim. The Story of Roy Cohn (2019), One Child Nation (2019), Take Your Pills (2018), Chicken People (2016)See all 7 shared titles with Julie Goldman

