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What are Taylor Re Lynn's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Survival and Self.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 7

Grounded 8 · Stylized 0 · Heightened 0

A split, not a type: Gentle 1 · Charged 2 · Intense 5

Steady 4 · Shifting 4 · Whiplash 0

Straight-faced 7 · Some laughs 1 · Funny 0

Slow burn 4 · Even-paced 4 · Relentless 0

Casual 1 · Engaged 6 · Full focus 1

Resolved 7 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Dread
4
Bittersweet
2
Hopeful
2
Warm
2
Other
5

How their films end · 3 with a twist

  • Happy1
  • Bittersweet4
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Taylor Re Lynn's films?

As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Taylor Re Lynn's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

  • Haunting Trophies(2024)

    Producer

    Midcredits score: 36th percentile of all films
  • Bridge of the Doomed(2022)

    Producer

    Midcredits score: 44th percentile of all films
  • Wolves(2022)

    Producer

    Midcredits score: 19th percentile of all films
  • Attack of the Unknown(2020)

    Producer

    Midcredits score: 44th percentile of all films
  • The Shepherd(2019)

    Producer

    Midcredits score: 30th percentile of all films
  • Love, Gilda(2018)

    Producer

    Midcredits score: 91st percentile of all films
  • Little Wing(2016)

    Producer

    Midcredits score: 74th percentile of all films
  • The Fencer(2015)

    Producer

    Midcredits score: 82nd percentile of all films

Career shape

Across their 8 MovieCove titles from 2015 to 2024.

By role

only this rolewith another role
Producing8 of 8: 8 only producing, 0 with another role · typical Midcredits score44th

By decade

2010s4 · crew2020s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Taylor Re Lynn's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 28th percentile for acclaim.

Acclaim · how much people like their films

28thpercentile
Typical film, the median of 8

Approval · how many liked their films

75thpercentile
Typical film, the median of 8

Reach · how many have seen their films

52ndpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th4
  • Below 25th1

Shape of the crowd

3 of their 8 titles are Crowd Pleasers.

  • Loved with Detractors1
  • Cult Classic2
  • Crowd Pleaser3
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Taylor Re Lynn work with?

People who share at least 2 of Taylor Re Lynn's MovieCove titles, grouped by what they did on them; Franklin Eugene shares the most, 6.

Directors

Actors

Composers and cinematographers

Producers