Nicky Baker

What are Nicky Baker's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nicky Baker's films?

As of October 24, 2026, all 6 MovieCove titles stream on a subscription or free service, most on Disney+ (3).

• Disney+3 titles, browse their movies on this service
  • Miraculous World: London, at the Edge of Time (2024) · writer
  • Miraculous World: Shanghai, the Legend of Ladydragon (2021) · writer
  • Miraculous World: Tokyo, Stellar Force (2025) · writer
• Netflix2 titles, browse their movies on this service
  • Miraculous World: New York, United Heroez (2020) · writer
  • Miraculous World: Shanghai, the Legend of Ladydragon (2021) · writer
• Tubi2 titles, browse their movies on this service
  • The Painting (2011) · writer · free
  • Yellowbird (2014) · writer · free
• STARZ1 title, browse their movies on this service
  • Yellowbird (2014) · writer

Subscription and free streaming for Nicky Baker's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  Miraculous World: Tokyo, Stellar Force(2025)

  Writer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Miraculous World: London, at the Edge of Time(2024)

  Writer

  Midcredits score: 98th percentile of all films98^th
• 

  Miraculous World: Shanghai, the Legend of Ladydragon(2021)

  Writer

  Midcredits score: 91st percentile of all films91^st
• 

  Miraculous World: New York, United Heroez(2020)

  Writer

  Midcredits score: 92nd percentile of all films92^nd
• 

  Yellowbird(2014)

  Writer

  Midcredits score: 32nd percentile of all films32^nd
• 

  The Painting(2011)

  Writer

  Midcredits score: 89th percentile of all films89^th

Career shape

Across their 6 MovieCove titles from 2011 to 2025.

Biggest box office

Yellowbird (2014)

$3.8M worldwide

Highest rated

Miraculous World: London, at the Edge of Time (2024)

Midcredits 98^th

How do Nicky Baker's films land?

Their typical MovieCove film has a Midcredits score in the 90^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 88^th percentile for acclaim.

Shape of the crowd

3 of their 6 titles are Mixed.

123

• Universally Loved1
• Crowd Pleaser2
• Mixed3

Most divisive · writer

Miraculous World: Tokyo, Stellar Force (2025)

69^th percentile spread · 14% rated it 4 or lower

Most loved · writer

Miraculous World: London, at the Edge of Time (2024)

Midcredits 98^th · 90% liked

Reviewers score the dialogue 44/100 and the plot and story 45/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Nicky Baker work with?

People who share at least 2 of Nicky Baker's MovieCove titles, grouped by what they did on them; Thomas Astruc shares the most, 4.