William F. Brown
- Producer
- 5 on MovieCove · 6 credits in all
What are William F. Brown's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 0 · Serious 3 · Dark 2
Grounded 5 · Stylized 0 · Heightened 0
Gentle 1 · Charged 3 · Intense 1
Steady 1 · Shifting 4 · Whiplash 0
Straight-faced 5 · Some laughs 0 · Funny 0
Slow burn 4 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 4 · Heavy 1
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet3
- Other1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William F. Brown's films?
As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for William F. Brown's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 5 with a MovieCove page.
Caught(1987)
Midcredits score: 54th percentile of all films
Cry from the Mountain(1985)
Midcredits score: 42nd percentile of all films
The Prodigal(1983)
Midcredits score: 30th percentile of all films
Joni(1979)
Midcredits score: 61st percentile of all films
No Longer Alone (not in the MovieCove catalog yet)(1978)
The Hiding Place(1975)
Midcredits score: 86th percentile of all films
Career shape
A full career of 5 titles from 1975 to 1987.
How do William F. Brown's films land?
Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 55th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
3 of their 5 titles are Cult Classics.
- Cult Classic3
- Crowd Pleaser1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does William F. Brown work with?
People who share at least 2 of William F. Brown's MovieCove titles, grouped by what they did on them; James F. Collier shares the most, 5.
Directors
- James F. CollierShared titles: Caught (1987), Cry from the Mountain (1985), The Prodigal (1983), Joni (1979), The Hiding Place (1975)See all 5 shared titles with James F. Collier
Actors
- Sarah RushShared titles: The Prodigal (1983), Joni (1979)See all 2 shared titles with Sarah Rush
Editors
- J. Michael HooserShared titles: Caught (1987), Cry from the Mountain (1985)See all 2 shared titles with J. Michael Hooser
Producers
- Jerry BallewShared titles: Caught (1987), Cry from the Mountain (1985)See all 2 shared titles with Jerry Ballew
- Frank R. JacobsonShared titles: Joni (1979), The Hiding Place (1975)See all 2 shared titles with Frank R. Jacobson