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Antonio Gradanti

Antonio Gradanti

Composer · Born January 1, 1975 (51) · Toronto, Ontario, Canada

Born
January 1, 1975 (51)
From
Toronto, Ontario, Canada
Works as
Composer
Titles
8 on MovieCove · 10 credits in all
TMDB popularity, last 37 days to Oct 26Down 20% in 30 days

What are Antonio Gradanti's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 7 · Stylized 1 · Heightened 0

A split, not a type: Gentle 4 · Charged 0 · Intense 4

Steady 4 · Shifting 4 · Whiplash 0

Straight-faced 6 · Some laughs 1 · Funny 1

Slow burn 4 · Even-paced 4 · Relentless 0

A split, not a type: Casual 4 · Engaged 3 · Full focus 1

Resolved 7 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Warm
3
Dread
3
Contemplative
2
Absurd
2
Other
5

How their films end · 1 with a twist

  • Happy2
  • Bittersweet3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Antonio Gradanti's films?

As of October 24, 2026, all 8 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for Antonio Gradanti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 8 with a MovieCove page.

  • Midcredits score: 10th percentile of all films
  • Eyes of a Roman(2022)

    Composer

    Midcredits score: 57th percentile of all films (provisional, few ratings)
  • Inhabited(2022)

    Composer

    Midcredits score: 23rd percentile of all films (provisional, few ratings)
  • Fire on the Mountain (not in the MovieCove catalog yet)(2020)

    Composer

  • Rev(2020)

    Composer

    Midcredits score: 44th percentile of all films
  • Jackson (not in the MovieCove catalog yet)(2019)

    Composer

  • 37-Teen(2019)

    Composer

    Midcredits score: 14th percentile of all films
  • A Time for Making(2018)

    Composer

    Midcredits score: 80th percentile of all films (provisional, few ratings)
  • Despair(2017)

    Composer

    Midcredits score: 52nd percentile of all films
  • The Job(2017)

    Composer

    Midcredits score: 39th percentile of all films

Career shape

A full career of 5 titles from 2019 to 2024.

By role

only this rolewith another role
Music5 of 5: 5 only music, 0 with another role

By decade

2010s2 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Antonio Gradanti's films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 30th percentile for acclaim.

Acclaim · how much people like their films

30thpercentile
Typical film, the median of 8

Approval · how many liked their films

53rdpercentile
Typical film, the median of 8

Reach · how many have seen their films

30thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th3

Reviewers score the sound and music 47/100 in their films, across 6 reviewed titles; fans 73, detractors 25. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Antonio Gradanti work with?

People who share at least 2 of Antonio Gradanti's MovieCove titles, grouped by what they did on them; Phillip Vannini shares the most, 2.

Directors

Actors

Producers