Roméo Guillard

What are Roméo Guillard's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Roméo Guillard's films?

As of October 24, 2026, none of Roméo Guillard's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Roméo Guillard's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 4 with a MovieCove page.

• 

  A Chance to Win(2023)

  Composer

  Midcredits score: 40th percentile of all films40^th
• 

  J'adore ce que vous faites(2022)

  Composer

  Midcredits score: 19th percentile of all films19^th
• 

  Papi Sitter(2020)

  Composer

  Midcredits score: 23rd percentile of all films23^rd
• 

  In the Mood for Melville (not in the MovieCove catalog yet)(2017)

  Composer
• 

  We Were Young(2015)

  Composer

  Midcredits score: 30th percentile of all films30^th

Career shape

A full career of 3 titles from 2015 to 2020.

Biggest box office

Papi Sitter (2020)

$2M worldwide

Highest rated

A Chance to Win (2023)

Midcredits 40^th

How do Roméo Guillard's films land?

Their typical MovieCove film has a Midcredits score in the 27^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 39^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 3 are Broadly Agreed.

31

• Broadly Agreed3
• Mixed1

Most loved · composer

A Chance to Win (2023)

Midcredits 40^th · 30% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Roméo Guillard work with?

People who share at least 2 of Roméo Guillard's MovieCove titles, grouped by what they did on them; Philippe Guillard shares the most, 4.