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MovieCove

Roberto Vasconcellos

Producer

Works as
Producer
Titles
8 on MovieCove
Links
IMDb (opens in a new tab)

Known for

What are Roberto Vasconcellos' films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Genres

Drama4 titlesTypical Midcredits score: 34th percentile
: browse their Drama movies
Comedy2 titlesTypical Midcredits score: 41st percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
34%
Survival
21%
Bonds
16%
Society
13%
Morality
10%
Power
7%
Family bonds3 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 7 · Stylized 0 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 2 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 4 · Whiplash 2

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 6 · Some laughs 1 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 4 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 4 · Full focus 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 4 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
5
Contemplative
3
Dread
2
Absurd
1
Other
3

How their films linger

Bittersweet4 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteCathartic2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet5
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Roberto Vasconcellos' films?

As of October 24, 2026, all 8 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Roberto Vasconcellos' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

  • At First Light(2018)

    Producer

    Midcredits score: 35th percentile of all films

  • I Think We're Alone Now(2018)

    Producer

    Midcredits score: 32nd percentile of all films

  • Monster Party(2018)

    Producer

    Midcredits score: 26th percentile of all films

  • Mountain Rest(2018)

    Producer

    Midcredits score: 24th percentile of all films

  • Song of Back and Neck(2018)

    Producer

    Midcredits score: 41st percentile of all films

  • Sweet Virginia(2017)

    Producer

    Midcredits score: 49th percentile of all films

  • The Little Hours(2017)

    Producer

    Midcredits score: 41st percentile of all films

  • Thumper(2017)

    Producer

    Midcredits score: 40th percentile of all films

Career shape

Across their 8 MovieCove titles from 2017 to 2018.

Biggest box office

The Little Hours (2017)

$1.6M worldwide

Highest rated

Sweet Virginia (2017)

Midcredits 49th

Most popular right now

The Little Hours (2017)

By role

only this rolewith another role
Producing8 of 8: 8 only producing, 0 with another role · typical Midcredits score38th

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Roberto Vasconcellos' films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 39th percentile for acclaim.

Acclaim · how much people like their films

39thpercentile
Typical film, the median of 8

Approval · how many liked their films

36thpercentile
Typical film, the median of 8

Reach · how many have seen their films

85thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 25th to 49th7
  • Below 25th1

Shape of the crowd

4 of their 8 titles are Mixed.

  • Cult Classic2
  • Broadly Agreed2
  • Mixed4

Most divisive · producer

Song of Back and Neck (2018)

83rd percentile spread · 27% rated it 4 or lower

Most loved · producer

Sweet Virginia (2017)

Midcredits 49th · 43% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Roberto Vasconcellos' work okay for kids?

Across up to 6 MovieCove titles with content scores, profanity and alcohol & drugs run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 55 · moderateMedian of all films: 44
Sex & Nudity6 titles12–56 · median 35 · mildnear the median of all filmsMedian of all films: 32
Profanity5 titles63–83 · median 75 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles39–73 · median 45 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense4 titlesmedian 44 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Roberto Vasconcellos work with?

People who share at least 2 of Roberto Vasconcellos' MovieCove titles, grouped by what they did on them; Fernando Loureiro shares the most, 8.

Actors

Producers