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Ryan D. Wood

Ryan D. Wood

Composer

A graduate of UCLA, Wood is a producer and composer with over a decade of experience in songwriting, music production, audio mixing, art directing, and film production. In 2015, Wood co-founded Chromosomes, composing music for films including Among The Shadows, Death Pool and Mad Genius. Wood has also composed for commercial clients such as NBC Sports, CBS, and TNT. In 2016, Wood began working with Think Up Anger, creating music on movie trailers, including Godzilla: King of Monsters, X-Men: Dark Phoenix, Bright, and War For the Planet of the Apes. Wood is head of post-production services for Lunar Door and producer of The Fixer.

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Biography from TMDB.

Works as
Composer
Titles
5 on MovieCove · 11 credits in all
TMDB popularity, last 65 days to Oct 28Up 25% in 30 days

What are Ryan D. Wood's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Themes

share of theme weight
Morality
38%
Survival
29%
Self
11%
Power
11%
Society
6%
Bonds
5%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 1 · Dark 3

Grounded 4 · Stylized 1 · Heightened 0

Gentle 0 · Charged 4 · Intense 1

Steady 1 · Shifting 3 · Whiplash 1

Straight-faced 4 · Some laughs 0 · Funny 1

Slow burn 0 · Even-paced 5 · Relentless 0

Casual 1 · Engaged 4 · Full focus 0

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 3

Resolved 2 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Dread
3
Melancholic
2
Absurd
1
Cold
1

How their films end

  • Bittersweet1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ryan D. Wood's films?

As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Ryan D. Wood's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 5 with a MovieCove page.

  • The Wolf and the Lamb(2026)

    Composer

    Midcredits score: 18th percentile of all films
  • The 8th Day (not in the MovieCove catalog yet)(2025)

    Composer

  • Uncontained(2025)

    Composer · Music Supervisor

    Midcredits score: 19th percentile of all films
  • Anxious. (not in the MovieCove catalog yet)(2024)

    Dialogue Editor · Sound Designer

  • They Grow Up So Fast (not in the MovieCove catalog yet)(2023)

    Composer · Sound Designer

  • Radio Telescope (not in the MovieCove catalog yet)(2023)

    Composer

  • Among the Shadows(2019)

    Composer

    Midcredits score: 1st percentile of all films
  • Paint It Red(2019)

    Composer

    Midcredits score: 15th percentile of all films
  • LPM, Likes Per Minute (not in the MovieCove catalog yet)(2018)

    Composer

  • The Domicile(2017)

    Composer · Compositor

    Midcredits score: 1st percentile of all films
  • Death Pool (not in the MovieCove catalog yet)(2017)

    Music Editor

Career shape

A full career of 9 titles from 2017 to 2025.

By role

only this rolewith another role
Music6 of 9: 4 only music, 2 with another roleOther crew5 of 9: 3 only other crew, 2 with another role

By decade

2010s4 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Ryan D. Wood's films land?

Their typical MovieCove film has a Midcredits score in the 15th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 10th percentile for acclaim.

Acclaim · how much people like their films

10thpercentile
Typical film, the median of 5

Approval · how many liked their films

18thpercentile
Typical film, the median of 5

Reach · how many have seen their films

43rdpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • Below 25th5

Reviewers score the sound and music 36/100 in their films, across 4 reviewed titles; fans 70, detractors 22. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ryan D. Wood work with?

People who share at least 2 of Ryan D. Wood's MovieCove titles; Chase Kuker shares the most, 3.