Mariana Bomba

What are Mariana Bomba's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mariana Bomba's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, on Netflix (3).

• Netflix3 titles, browse their movies on this service
  • Yiya Murano: Death at Tea Time (2026) · producer
  • Caught (2025) · producer
  • Elena Knows (2023) · producer

Subscription and free streaming for Mariana Bomba's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Yiya Murano: Death at Tea Time(2026)

  Producer

  Midcredits score: 39th percentile of all films39^th
• 

  Caught(2025)

  Show Producer

  Midcredits score: 30th percentile of all shows30^th
• 

  Elena Knows(2023)

  Producer

  Midcredits score: 28th percentile of all films28^th
• 

  The Daughters of Fire(2018)

  Producer

  Midcredits score: 13th percentile of all films13^th

Career shape

Across a limited sample of 4 MovieCove titles from 2018 to 2026.

Biggest box office

The Daughters of Fire (2018)

$3.1K worldwide

Highest rated

Yiya Murano: Death at Tea Time (2026)

Midcredits 39^th

Most popular right now

Caught (2025)

How do Mariana Bomba's films land?

Their typical MovieCove film has a Midcredits score in the 28^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 35^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Broadly Agreed.

22

• Broadly Agreed2
• Mixed2

Most divisive · producer

The Daughters of Fire (2018)

67^th percentile spread · 41% rated it 4 or lower

Most loved · producer

Yiya Murano: Death at Tea Time (2026)

Midcredits 39^th · 31% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mariana Bomba work with?

People who share at least 2 of Mariana Bomba's MovieCove titles, grouped by what they did on them; Vanessa Ragone shares the most, 4.