Joaquín Echeverría
- Producer
- 3 on MovieCove
What are Joaquín Echeverría's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 0 · Dark 3
Grounded 3 · Stylized 0 · Heightened 0
A split, not a type: Gentle 2 · Charged 0 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 0 · Open-ended 1 · Ambiguous 2
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Joaquín Echeverría's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Joaquín Echeverría's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Los perros(2017)
Midcredits score: 48th percentile of all films
Much Ado About Nothing(2016)
Midcredits score: 59th percentile of all films
The Blind Christ(2016)
Midcredits score: 35th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2016 to 2017.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Joaquín Echeverría's films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 46th percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
Shape of the crowd
None of their 3 titles divides audiences: 2 are Mixed.
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Joaquín Echeverría work with?
People who share at least 2 of Joaquín Echeverría's MovieCove titles, grouped by what they did on them; Augusto Matte shares the most, 3.
Cinematographers
- Inti BrionesShared titles: Much Ado About Nothing (2016), The Blind Christ (2016)See all 2 shared titles with Inti Briones
Producers
- Augusto MatteShared titles: Los perros (2017), Much Ado About Nothing (2016), The Blind Christ (2016)See all 3 shared titles with Augusto Matte
- Florencia LarreaShared titles: Much Ado About Nothing (2016), The Blind Christ (2016)See all 2 shared titles with Florencia Larrea
- Pedro FontaineShared titles: Much Ado About Nothing (2016), The Blind Christ (2016)See all 2 shared titles with Pedro Fontaine
